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Moritz Moszkowski: Orchestral Music, Vol. 3

Andrzej Krzyżanowski, Sinfonia Varsovia, Ian Hobson

Moritz Moszkowski: Orchestral Music, Vol. 3
Hats off to Ian Hobson and his players, a team that is confidently and stylishly immersed in Moszkowski’s instantly recognisable idiom.

Moritz Moszkowski: Orchestral Music, Vol. 3

Andrzej Krzyżanowski, Sinfonia Varsovia, Ian Hobson

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Hats off to Ian Hobson and his players, a team that is confidently and stylishly immersed in Moszkowski’s instantly recognisable idiom.

About

The Polish composer Moritz Moszkowski (1854–1925) is best remembered for a handful of virtuoso piano pieces, but he also produced a substantial body of orchestral music, most of it unperformed for a century or more. This third volume presents his very first orchestral work, a strikingly assured Overture in D major, written when he was seventeen, and his last, a sombre, dignified and deeply felt Prelude and Fugue for strings, composed on the death of his mother in 1910. Between them comes Moszkowski’s First Orchestral Suite, from 1885, a joy from start to finish, with one delightful inspiration following another in a daisy-chain of dance-rhythms, memorable tunes and instrumental colour.

Contents and tracklist

I. Allegro molto e brioso
Track length9:21
II. Allegro giojoso
Track length7:00
IIIa. Andante
Track length1:06
IIIb. Un poco più mosso
Track length0:58
IIIc. Un poco meno mosso
Track length1:02
IIId. Allegro con spirito
Track length1:12
IIIe. Allegretto con moto
Track length1:28
IIIf. Lento maestoso. All’ongarese - Allegro fuocoso, poco a poco ancora più animato - Tempo primo
Track length2:55
IIIg. Andante tranquillo
Track length1:37
IIIh. Allegro scherzando
Track length1:18
IIIi. Un pochino più lento del tema
Track length1:48
IV. Intermezzo. Allegro con moto
Track length5:52
V. Perpetuum mobile. Vivace
Track length6:05
Prélude
Track length4:38
Fugue
Track length6:20

Awards and reviews

March 2022

Hats off to Ian Hobson and his players, a team that is confidently and stylishly immersed in Moszkowski’s instantly recognisable idiom.
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