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Special offer. Franz Schubert: Complete Symphonies & Fragments

L'Orfeo Barockorchester, Michi Gaigg

Franz Schubert: Complete Symphonies & Fragments
Like many period instruments practitioners, Gaigg favors fast tempos. The second movement of the “Great” bounces along jauntily—and while Schubert’s music sometimes loses weight from the diet...

Special offer. Franz Schubert: Complete Symphonies & Fragments

L'Orfeo Barockorchester, Michi Gaigg

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4 CDs

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This release includes a digital booklet

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Like many period instruments practitioners, Gaigg favors fast tempos. The second movement of the “Great” bounces along jauntily—and while Schubert’s music sometimes loses weight from the diet...

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Contents and tracklist

I. Adagio - Allegro vivace
Track length12:10
II. Andante
Track length5:59
III. Menuetto. Allegretto - Trio
Track length4:02
IV. Allegro vivace
Track length5:59
I. Largo - Allegro vivace
Track length11:02
II. Andante
Track length8:13
III. Menuetto. Allegro vivace - Trio
Track length2:58
IV. Presto vivace
Track length6:09
I. Adagio maestoso - Allegro con brio
Track length9:23
II. Allegretto
Track length4:35
III. Menuetto. Vivace - Trio
Track length3:38
IV. Presto vivace
Track length6:38
I. Allegro
Track length7:27
II. Andante con moto
Track length9:14
III. Menuetto. Allegro molto - Trio
Track length4:58
IV. Allegro vivace
Track length5:29
I. Allegro moderato
Track length14:33
II. Andante con moto
Track length10:40
III. Scherzo. Allegro (Fragment)
Track length0:36
I. Adagio molto - Allegro vivace
Track length9:44
II. Andante
Track length8:51
III. Menuetto. Allegro vivace - Trio
Track length2:54
IV. Allegro
Track length10:37
I. Adagio - Allegro
Track length9:23
II. Andante
Track length6:06
III. Scherzo. Presto - Piú lento
Track length6:16
IV. Allegro moderato
Track length10:50
I. Adagio - Allegro
Track length5:46
I. Andante - Allegro ma non troppo
Track length15:09
II. Andante con moto
Track length14:15
III. Scherzo. Allegro vivace - Trio
Track length15:13
IV. Allegro vivace
Track length16:20

Awards and reviews

July/August 2022

Like many period instruments practitioners, Gaigg favors fast tempos. The second movement of the “Great” bounces along jauntily—and while Schubert’s music sometimes loses weight from the diet that has been imposed on it, the corresponding gain in energy is not a bad thing. For better or worse, but probably more the former, these performances will compel you to hear Schubert’s symphonies in a new light.

February 2022

it is the ‘Great’ C major that is perhaps the gem of the present set: a notably intense performance, played with tireless propulsion and infectious fervour.
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