Special offer. Weinberg: Die Passagierin (The Passenger)
Dshamilja Kaiser (Lisa), Nadja Stefanoff (Marta), Will Hartmann (Walter), Markus Butter (Tadeusz), Chor Der Oper Graz, Grazer Philharmoniker, Roland Kluttig
Awards:
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International Classical Music Awards, 2023, Nominated - Opera
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Opus Klassik Awards, 2023, Nominated - Female Singer of the Year & Male Singer of the Year
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year
the extended arias by Marta and Katja in Scene 6 are beautifully sung here by Nadja Stefanoff and Tetyana Miyus...Capriccio’s engineers have done a fine job in securing a good balance between...
Special offer. Weinberg: Die Passagierin (The Passenger)
Dshamilja Kaiser (Lisa), Nadja Stefanoff (Marta), Will Hartmann (Walter), Markus Butter (Tadeusz), Chor Der Oper Graz, Grazer Philharmoniker, Roland Kluttig
Purchase product
Awards:
-
International Classical Music Awards, 2023, Nominated - Opera
-
Opus Klassik Awards, 2023, Nominated - Female Singer of the Year & Male Singer of the Year
-
Opus Klassik Awards, 2023, Nominated - Conductor of the Year
the extended arias by Marta and Katja in Scene 6 are beautifully sung here by Nadja Stefanoff and Tetyana Miyus...Capriccio’s engineers have done a fine job in securing a good balance between...
About
‘I simply cannot stop enthusing about Weinberg’s The Passenger. I’ve heard it three times now, studied the score, and every time I understand more of the beauty and greatness of this music. It is a work of consummate form and style and its subject extremely relevant.’ – Dmitri Shostakovich. In 1960, Lisa – formerly a guard at Auschwitz and now the wife of a West German diplomat – is on an ocean liner bound to Brazil. She thinks she recognises in another passenger a woman named Martha, a Polish prisoner under her direct jurisdiction. Through a series of flashbacks across two acts, eight scenes and one epilogue, the audience witnesses the final reckoning between two women as they attempt to escape their pasts. The Passenger premiered in 2010 at the Bregenz Festival. With this new production by Oper Graz composer Mieczysław Weinberg’s powerful Holocaust drama continues to gain international recognition.
Contents and tracklist
- Grazer Philharmoniker
- Roland Kluttig
- Will Hartmann, Dshamilja Kaiser, Adrián Berthely, Uschi Plautz
- Grazer Philharmoniker, Chor der Oper Graz
- Roland Kluttig
- Uschi Plautz, Ivan Oreščanin, David McShane, Martin Fournier, Nadja Stefanoff, Dshamilja Kaiser
- Grazer Philharmoniker, Chor der Oper Graz
- Roland Kluttig
- Ju Suk, Sieglinde Feldhofer, Anna Brull, Nadja Stefanoff, Antonia-Cosmina Stancu, Joanna Motulewicz, Mareike Jankowski, Tetiana Miyus, Maria Kirchmair, Dshamilja Kaiser
- Grazer Philharmoniker, Chor der Oper Graz
- Roland Kluttig
- Ivan Oreščanin, Dshamilja Kaiser, Nadja Stefanoff, Markus Butter, Tetiana Miyus
- Grazer Philharmoniker
- Roland Kluttig
- Markus Butter, Dshamilja Kaiser
- Grazer Philharmoniker
- Roland Kluttig
- Tetiana Miyus, Sieglinde Feldhofer, Antonia-Cosmina Stancu, Anna Brull, Mareike Jankowski, Joanna Motulewicz, Nadja Stefanoff, Dshamilja Kaiser
- Grazer Philharmoniker, Chor der Oper Graz
- Roland Kluttig
- Will Hartmann, Dshamilja Kaiser, Adrián Berthely, Konstantin Sfiris
- Grazer Philharmoniker
- Roland Kluttig
- Ivan Oreščanin
- Grazer Philharmoniker, Chor der Oper Graz
- Roland Kluttig
- Nadja Stefanoff
- Grazer Philharmoniker
- Roland Kluttig
Spotlight on this release
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Awards and reviews
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International Classical Music Awards2023Nominated - Opera
-
Opus Klassik Awards2023Nominated - Female Singer of the Year & Male Singer of the Year
-
Opus Klassik Awards2023Nominated - Conductor of the Year
January 2022
the extended arias by Marta and Katja in Scene 6 are beautifully sung here by Nadja Stefanoff and Tetyana Miyus...Capriccio’s engineers have done a fine job in securing a good balance between singers and orchestra.
June 2022
Conducted by Roland Kluttig, the performance is a revelation. The Graz Philharmonic, enlarged to include additional forces such as a jazz band, plays with immense conviction and vitality. As Lisa, her mezzo evoking both strength and vulnerability, Dshamilja Kaiser is wonderfully vivid; she is well matched by Will Hartmann as her husband, his tenor finely focused.
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