Help
Skip to main content

Hélène de Montgeroult: Complete Piano Sonatas

Nicolas Horvath (piano)

Horvath plays a modern Steinway, but, mindful of the fortepiano on which Montgeroult herself would have played, performs these works with a light, highly articulated sound...It’s the last three...

Hélène de Montgeroult: Complete Piano Sonatas

Nicolas Horvath (piano)

Purchase product

2 CDs

$26.00

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

Download

From$20.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$35.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.75

320 kbps, MP3

$20.00

This release includes a digital booklet

Stream now Hi-Res 96 kHz, 24 bit
Fair Play.
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model
Horvath plays a modern Steinway, but, mindful of the fortepiano on which Montgeroult herself would have played, performs these works with a light, highly articulated sound...It’s the last three...

About

HÉLÈNE ANTOINETTE MARIE DE NERVO DE MONTGEROULT (1764–1836) was a student of Clementi in Paris. She survived the French Revolution – during which, as an aristocrat, her life was in grave danger – to become a celebrated pianist, composer and author of a famous piano method. Her compositional language in these nine sonatas is wide and includes Italianate models as well as elements that reflect the influence of Haydn and Mozart, with chromatic and surprising harmonies, contrasts of register, chorale-like nobility and brilliantly athletic finales. Featuring several world première recordings, these sonatas represent a major contribution to the French repertoire of the late Classical and early Romantic periods. The Monaco born, France based, pianist NICOLAS HORVATH is Grand Piano’s most versatile artist. His 17 albums for the label span repertoire from the classical period and until today. Nicolas has received numerous awards, including First Prize at the Scriabin and the Luigi Nono International Competitions, and is noted for concerts of unusual length, sometimes lasting over twelve hours, such as the overnight performance of the complete piano music of Erik Satie at the Paris Philharmonie before a cumulative audience of 14,000 people. His latest project brings to life forgotten masterpieces by French female composers, including world premiere recordings of piano sonatas by Anne-Louise Brillon de Jouy and Helene De Montgeroult. Nicolas is a Steinway Artist.

Contents and tracklist

I. Allegro con spirito
Track length4:32
II. Prestissimo
Track length5:14
I. Allegro con moto
Track length8:31
II. Allegro vivace
Track length6:01
I. Maëstoso con espressione
Track length8:50
II. Allegro agitato
Track length10:36
I. Allegro con moto e espressione
Track length6:18
II. Presto
Track length5:51
I. Allegro moderato
Track length9:27
II. Andantino quasi allegretto
Track length4:12
III. Allegro con brio, vivace
Track length5:58
I. Agitato
Track length6:49
II. Adagio
Track length7:23
III. Vivace con espressione
Track length2:54
I. Allegro spiritoso
Track length13:49
II. Adagio non troppo
Track length5:19
III. Allegro assai
Track length1:18
IV. Presto
Track length5:36
I. Allegro moderato con espressione
Track length9:10
II. Aria con espressione
Track length5:05
III. Allegro, agitato con fuoco
Track length7:06
I. Allegro spiritoso
Track length7:03
II. Adagio non troppo
Track length3:58
III. Presto
Track length5:22

Awards and reviews

January 2022

Horvath plays a modern Steinway, but, mindful of the fortepiano on which Montgeroult herself would have played, performs these works with a light, highly articulated sound...It’s the last three sonatas of 1811 – reaching out into the Romantic era, eloquently performed here by Horvath – which come off best.

January 2022

Horvath is a conscientious advocate for Montgeroult and his interpretations smooth over things that other interpreters would find stumbling blocks.

11th November 2021

In the Ballades it’s the dark, gothic, almost supernatural side to the pieces that comes through especially strongly...In the loudest passages he makes the instrument ring, drawing the maximum resonance out of all those vibrating strings yet somehow still maintaining clarity and definition in each line. In the softest ones, his playing has a beguiling, sometimes dreamlike sweetness.
View download progress