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Song

The Hermes Experiment

Song

Awards:

These formidable chamber musicians range effortlessly through the centuries and around the globe, recognising no stylistic boundaries. Their mesmerising soundworld is supported by a glowing,...

Song

The Hermes Experiment

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Awards:

These formidable chamber musicians range effortlessly through the centuries and around the globe, recognising no stylistic boundaries. Their mesmerising soundworld is supported by a glowing,...

About

Hot on the heels of their acclaimed debut HERE WE ARE, The Hermes Experiment’s second Delphian album is an equally bold statement. Songs commissioned specially for the ensemble – by Philip Venables, Ayanna Witter-Johnson and others – are interleaved with new arrangements (of composers including Barbara Strozzi, Clara Schumann and Lili Boulanger) for the group’s distinctive line-up of voice, clarinet, harp and double bass.

Moving and original, SONG reinvents a genre: here every instrument is a voice in its own right, and they all carry the drama.

Contents and tracklist

I. La Pierre
Track length1:58
II. Effacement
Track length2:50
III. Pluie
Track length2:44
I. plum
Track length2:15
II. blackberry
Track length1:21
III. cherry
Track length1:41
IV. apple
Track length3:07

Spotlight on this release

Awards and reviews

January 2022

These formidable chamber musicians range effortlessly through the centuries and around the globe, recognising no stylistic boundaries. Their mesmerising soundworld is supported by a glowing, open acoustic, dazzlingly pure intonation and seamless timbral interplay between voice and instruments. An immersive, thought provoking and sensual experience.

February 2022

The performances are impeccably realised, each player a virtuoso in his or her own right, with impeccable intonation and sense of ensemble. Delphian’s sound is first-rate.

October 2021

I love the way that distinctions between voice and instruments slide in and out of focus on this sophomore album from the intrepid contemporary music quartet; highlights include Olivia Chaney's Roman Holiday (an evocative, bittersweet little monodrama in four minutes), Eleanor Alberga's unexpectedly poetic treatment of text from the shipping forecast in Deep Blue Sea, and Kerry Andrew's coolly sensuous setting of William Carlos Williams's much-memed poem about plums in an icebox
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