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Elogio de La Guitarra

Krzysztof Meisinger (guitar)

Elogio de La Guitarra
We’re talking about a formidable technique here, which Meisinger shows off with tongue-in-cheek flamboyance in Llobet’s Sor Variations.

Elogio de La Guitarra

Krzysztof Meisinger (guitar)

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This release includes a digital booklet

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We’re talking about a formidable technique here, which Meisinger shows off with tongue-in-cheek flamboyance in Llobet’s Sor Variations.

About

For this, Krzysztof Meisinger's Chandos debut, he has selected a diverse programme of Spanish, Italian, and Argentine works that demonstrate both his technical mastery and his innate musicianship. Rodrigo’s Invocación y danza and Elogio de la guitarra were composed a decade apart, and written for the guitarists Regino Sainz de la Maza and Angelo Gilardino, respectively. Miguel Llobet Solés was a pupil of Tárrega and the teacher of Segovia, thus playing an important role in the Spanish guitar tradition. Segovia was the dedicatee of Castelnuovo-Tedesco’s Capriccio diabolico, a homage to Paganini. Although much music by Piazzolla has been arranged for guitar, his Cinco Piezas, published in 1981, are the only works he wrote specifically for the instrument. Krzysztof Meisinger plays a copy of a guitar by Ignacio Fleta Pescador (1897 – 1977), built by Anders Sterner and equipped with Knobloch strings.

Contents and tracklist

I. Allegro
Track length5:29
II. Andantino
Track length6:36
III. Allegro
Track length5:43
Tema
Track length0:37
Variación 1
Track length0:33
Variación 2
Track length0:37
Variación 3
Track length0:31
Variación 4
Track length0:46
Variación 5
Track length0:33
Variación 6
Track length0:37
Intermezzo
Track length1:44
Variación 7
Track length0:56
Variación 8
Track length0:58
Variación 9
Track length0:51
Variación 10
Track length1:06
I. Campero
Track length5:55
II. Romántico
Track length6:56
III. Acentuado
Track length3:42
IV. Tristón
Track length6:47
V. Compadre
Track length3:48

Awards and reviews

December 2021

We’re talking about a formidable technique here, which Meisinger shows off with tongue-in-cheek flamboyance in Llobet’s Sor Variations.
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