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Special offer. Nielsen, Verhey and Françaix: Flute Concertos

Joséphine Olech (flute), Odense Symphony Orchestra, Anna Skryleva

Nielsen, Verhey and Françaix: Flute Concertos
Franco-flautist Olech revels in the heavily ornamented, fast-paced frivolity [in the Verhey] and in the following longer concerto by Jean Françaix.

Special offer. Nielsen, Verhey and Françaix: Flute Concertos

Joséphine Olech (flute), Odense Symphony Orchestra, Anna Skryleva

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This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit
Franco-flautist Olech revels in the heavily ornamented, fast-paced frivolity [in the Verhey] and in the following longer concerto by Jean Françaix.

About

Orchid Classics presents one of two releases showcasing winners of the Carl Nielsen Competition 2019. Praised by Bachtrack for the “subtle elegance” and “luminous joy” of her performances, French flautist Joséphine Olech trained with the Royal Concertgebouw Orchestra Academy and is currently principal flute of the Rotterdam Philharmonic. For her first concerto recording with the Odense Symphony Orchestra and conductor Anna Skryleva, Joséphine Olech chose a trio of 20th-century works reflecting countries with which she feels a personal connection as an artist: Nielsen’s beautiful, witty Flute Concerto (1926); the scintillating Flute Concerto No. 1 (1902) by Dutch composer Theodor Verhey, and Jean Françaix’s dazzling Flute Concerto of 1966.

Contents and tracklist

I. Allegro moderato
Track length11:18
II. Allegretto un poco
Track length7:11
I. Allegro non troppo
Track length4:28
II. Andantino
Track length3:47
III. Allegro alla zingarese
Track length4:57
I. Presto
Track length8:10
II. Andantino
Track length5:17
III. Scherzo
Track length6:09
IV. Allegro - Allegretto con spirito molto
Track length6:51

Awards and reviews

October 2021

Franco-flautist Olech revels in the heavily ornamented, fast-paced frivolity [in the Verhey] and in the following longer concerto by Jean Françaix.

September 2021

I had not heard the Françaix Concerto before but it is everything one would expect, light-hearted and bursting with joie de vivre. It was composed for the great Jean-Pierre Rampal in 1966. Olech presents it in the best possible light, her sparkling articulation aiding the carefree atmosphere.

1st July 2021

Olech gets [Nielsen's] neurotic solo flute writing, and its reactions to the rude intrusions from a solo trombone, spot on.
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