Johannes Brahms: Clarinet Sonatas & Ernste Gesänge
Julian Bliss (clarinet), James Baillieu (piano)
Bliss delivers the two sonatas with virtuoso mastery, with a feeling for line in the slower passages that could hold its own with any singer; Baillieu similarly excels throughout, deploying...
Johannes Brahms: Clarinet Sonatas & Ernste Gesänge
Julian Bliss (clarinet), James Baillieu (piano)
Purchase product
Bliss delivers the two sonatas with virtuoso mastery, with a feeling for line in the slower passages that could hold its own with any singer; Baillieu similarly excels throughout, deploying...
About
Julian Bliss and James Baillieu present a recording Johannes Brahms’ Clarinet sonatas, Op. 120 and an arrangement of his 4 Ernste Gesänge, Op.121 arranged by Bliss. These late works were inspired by the great clarinettist Richard Mühlfeld, principal clarinet of the Meiningen Court Orchestra, without whom we would not have had this clarinet repertoire.
Julian Bliss is one of the world’s finest clarinettists, excelling as a concerto soloist, chamber musician, jazz artist, masterclass leader and tireless musical explorer. He has inspired a generation of young players as creator of his Conn-Selmer range of affordable clarinets, and introduced a substantial new audience to his instrument. Julian started playing the clarinet aged four, going on to study at the University of Indiana and in Germany under Sabine Meyer, turning professional aged twelve.
Described by The Daily Telegraph as ‘in a class of his own’ James Baillieu is one of the leading song and chamber music pianists of his generation. He has given solo and chamber recitals throughout the world and collaborates with a wide range of world-class singers and instrumentalists. As a soloist, he has appeared with the Ulster Orchestra, English Chamber Orchestra, and the Wiener Kammersymphonie.
Contents and tracklist
Awards and reviews
July 2021
Bliss delivers the two sonatas with virtuoso mastery, with a feeling for line in the slower passages that could hold its own with any singer; Baillieu similarly excels throughout, deploying a feather-light keyboard tone in the F minor Sonata’s Andante un poco adagio second movement that gives an almost pre-Debussyan atmosphere to the music’s spareness.
July 2021
these are satisfying accounts, unhurried, with a fine sense of musical partnership.
