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Magnificat 2
Glen Dempsey
Choir of St John's College Cambridge, Andrew Nethsingha
Awards:
-
Gramophone Magazine, June 2021, Editor's Choice
Nethsingha asks a lot of his 33 singers in terms of nuance and dynamic contrast – far more than most collegiate choirs are capable of – and their corporate virtuosity is palpable in a thrillingly...
Magnificat 2
Glen Dempsey
Choir of St John's College Cambridge, Andrew Nethsingha
Purchase product
Awards:
-
Gramophone Magazine, June 2021, Editor's Choice
Nethsingha asks a lot of his 33 singers in terms of nuance and dynamic contrast – far more than most collegiate choirs are capable of – and their corporate virtuosity is palpable in a thrillingly...
About
Andrew Nethsingha and The Choir of St John’s College, Cambridge release the second volume in the highly praised ‘Magnificat’ series, presenting nine settings of the Evening Canticles by celebrated Organist-Composers, written between 1932 and 1952 and non-church musicians from 1974-1989.
The recording culminates with a contemporary setting by Julian Anderson, composed for the Chapel’s 150th Anniversary and commissioned for the College Choir.
"These first volumes are designed to complement one another. ‘Magnificat 1’ started earlier, with Stanford in the 1880s; Volume Two brings us briefly up to the present day. The first release contained celebrated works by Tippett and Leighton from 1961 and 1972 respectively, in between the two main periods represented on this disc. Both albums contain iconic works by Howells, written a year apart. We hear composers creating different orders of priority for the parameters of composition.” - Andrew Nethsingha
Contents and tracklist
Awards and reviews
-
Gramophone MagazineJune 2021Editor's Choice
July 2021
Nethsingha asks a lot of his 33 singers in terms of nuance and dynamic contrast – far more than most collegiate choirs are capable of – and their corporate virtuosity is palpable in a thrillingly incisive take on Walton’s Chichester Service, where the tricky rhythms and hairpin expressive markings gain sharp dramatic significance. It’s a wonderfully confident performance, typical of the recording as a whole.
June 2021
This project is shaping up to become the most significant recording project ever in the field of choir-and-organ English church music.
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