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Gregori: 10 Concerti Grossi

Capriccio Barockorchester, Dominik Kiefer

The overall timbre of the strings is compact, with just a touch of warmth. Violin lines don’t thin out, and the sound remains focused. Although bass lines are sometimes a little fuzzy, they...

Gregori: 10 Concerti Grossi

Capriccio Barockorchester, Dominik Kiefer

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The overall timbre of the strings is compact, with just a touch of warmth. Violin lines don’t thin out, and the sound remains focused. Although bass lines are sometimes a little fuzzy, they...

About

Giovanni Lorenzo Gregori (1663 1745), Maestro di capella amenissimo, bravo sonatore di violino, worked predominantly in his hometown of Lucca. His main work, 10 Concerti Opus 2, is an almost visionary achievement, in particular because he expressly called for a powerful orchestral sonority. Each Concerto has its own varied and multifaceted character. The solo passages of both violins are but short interludes. The accent is on the lively orches- tral idiom and its many surprises; previously unheard of combina- tions of string instruments are as thrilling as the transparent and lively dialogues within the orchestra. Alessandro Stradella (16441682) was constantly involved in love affairs and other incidents: the last ended in his murder on the Piazza Bianchi in Genoa. This did not deter from the quality of his compo- sitions. In many ways his works still appear modern, thanks to his gift for combining different orchestral timbres and volumes, and involving the players in inspiring exchanges and mutual imitations.

Contents and tracklist

No. 16, Sinfonia
Track length1:42
No. 1a, Sinfonia. Allegro
Track length1:58
No. 1b, Sinfonia. Andante
Track length3:55
No. 1c, Sinfonia. Allegretto
Track length1:21
I. Adagio - Allegro - Adagio
Track length2:19
II. Allegro
Track length1:51
III. Adagio - Allegro
Track length1:19
IV. Allegro
Track length1:55
No. 1, Sinfonia
Track length4:00

Awards and reviews

Jan/Feb 2022

The overall timbre of the strings is compact, with just a touch of warmth. Violin lines don’t thin out, and the sound remains focused. Although bass lines are sometimes a little fuzzy, they are generally clear and well defined. The ensemble playing is exceptionally polished, with crisp attacks and cohesive lines. These are fine performances, sophisticated and carefully controlled.
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