Brandnew remastering in 4k
The legacy of legendary stage director Walter Felsenstein is available with new audiovisual material for the first time
New remastered and digitalised from the original 35mm film in 2020
Cultural-historical Highlight of the opera history of the 1970s
A milestone for the preservation of this important German film heritage
Felsenstein’s Ritter Blaubart is accompanied by the music of French composer Jaques Offenbach and was performed to great critical acclaim in Paris in 1866. Opera reviewer Oscar Bie delightfully remarked: “How the music flourishes in soil like this. How the tragedy laughs, and how seriously the comedy takes itself. [...] This is not opera, nor is it comedy, and only on occasions is it parody. No, this is something much more sublime altogether: it is that wonderfully shimmering realm, full of truth about life, which borders grand fates and all-conquering humour.” Felsenstein’s adaptation of this diversified opera affords countless opportunities for audiences to make associations, moments in which they are torn between laughter and abomination, but which all the while reveals an aptitude of theatrical magic one could only admire. The constant switching between comedy and tragedy is a fine balancing act that demands enormous self-discipline and ability from the performers. Felsenstein himself spoke of the “entirely new style of interpretation” the work required. This visionary theatre director, who played a hugely important role in the revival of opera as a theatrical art form, was exactly what this demanding opera needed.
Artists
Hanns Nocker (Sire de Barbe-Bleu), Anny Schlemm (Boulotte), Werner Enders (King Bobèch), Ruth Schob-Lipka (Queen Clémentine), Ingrid Czerny (Princess Hermia (Fleurette)), Manfred Hopp (Prince Saphir (Daphnis)), Rudolf Asmus (Popolani), Helmut Polze (Count Oscar), Hans-Otto Rogge (Alvarez), Orchestra From the Komischer Oper Berlin, Karl-Fritz Voigtmann, Walter Felsenstein (stage director)
