Miniatures Russes
Meermann-Muret
Near-contemporaries Arensky and Lyadov were both influenced by Chopin, as this wonderful recital proves. I could listen all day to Meermann-Muret’s phrasing and singing melodic line. —
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Liadov: Barcarolle in F sharp major, Op. 44
- Swetlana Meermann-Muret
Liadov: Bagatelle, Op. 30
- Swetlana Meermann-Muret
Liadov: 2 Pieces, Op. 9
- Swetlana Meermann-Muret
No. 1, Valse
No. 2, Mazurka
Liadov: Three Pieces Op. 57
- Swetlana Meermann-Muret
No. 1, Prélude
No. 2, Valse
No. 3, Mazurka
Liadov: Prelude on a Russian theme, Op. 33 No. 1
- Swetlana Meermann-Muret
Liadov: Prelude in B minor, Op. 11 No. 1
- Swetlana Meermann-Muret
Liadov: Prelude in D flat major, Op. 10 No. 1
- Swetlana Meermann-Muret
Liadov: Prelude in B flat minor, Op. 31 No. 2
- Swetlana Meermann-Muret
Liadov: Prélude in G Minor, Op. 46 No. 2
- Swetlana Meermann-Muret
Liadov: Prelude in D minor, Op. 40 No. 3
- Swetlana Meermann-Muret
Liadov: Etude, Op. 5
- Swetlana Meermann-Muret
Arensky: 24 Morceaux caractéristiques, Op. 36 (Excerpts)
- Swetlana Meermann-Muret
No. 3, Nocturne
No. 4, Petite ballade
No. 16, Elégie
No. 19, Rêverie de printemps
Arensky: Six Pièces, Op. 53
- Swetlana Meermann-Muret
No. 1, Prélude
No. 2, Scherzo
No. 3, Elégie
No. 4, Mazurka
No. 5, Romance
No. 6, Etude
