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Special offer. Medtner: Songs

Sofia Fomina (soprano), Alexander Karpeyev (piano)

The pianist’s role is crucial. Medtner was a fine performer, and the piano is so often in the driving seat as words blossom into song. Alexander Karpeyev provides the ideal grounding for Fomina’s...

Special offer. Medtner: Songs

Sofia Fomina (soprano), Alexander Karpeyev (piano)

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The pianist’s role is crucial. Medtner was a fine performer, and the piano is so often in the driving seat as words blossom into song. Alexander Karpeyev provides the ideal grounding for Fomina’s...

About

Like his friend and contemporary Rachmaninoff, Nikolai Medtner enjoyed a privileged and affluent upbringing, and was also exiled from Russia following the revolution in 1917. Unlike Rachmaninoff, Medtner could point to an ancestry that was part German, and his fathers passion for Germanic culture ensured that Goethe and Beethoven exerted as much influence on the young Medtner as Russian composers and writers, in particular Beethovens piano sonatas and string quartets. Medtner moved first to Germany, then France, before settling in London in 1935. The earlier songs in this programme, Opp. 36 and 37, were written against the backdrop of the revolution, shortly before he fled Russia. Opp. 45 and 46 (written to Russian and German texts, respectively) were composed in France. Praised for her formidably striking and stunning silvery sound, the rising star soprano Sofia Fomina has performed in Toulouse and Baden-Baden, at Bayerische Staatsoper, Seattle Opera, Hungarian State Opera, Paris Opéra, and The Royal Opera, Covent Garden. Her Pamina for Glyndebourne Festival Opera in 2019 received rave reviews. Alexander Karpeyev has performed throughout Europe and toured in the USA, Canada, and Russia as a concerto soloist, recitalist, and chamber musician. A prize-winner of several international competitions, he also completed a doctorate on performance practise in the music of Medtner, based on the Edna Iles Medtner Collection at the British Library.

Contents and tracklist

No. 1, The Angel
Track length1:57
No. 2, The Flower
Track length2:25
No. 3, When Roses Fade
Track length1:55
No. 4, Spanish Romance
Track length2:07
No. 5, Night
Track length1:56
No. 6, Arion
Track length3:26
No. 1, Sleeplessness
Track length4:42
No. 2, Tears
Track length1:48
No. 3, Impromptu
Track length2:40
No. 4, The Waltz
Track length2:37
No. 5, Night Wind
Track length1:44
No. 1, Elegy
Track length5:21
No. 2, The Wagon of Life
Track length2:33
No. 3, Night Song
Track length3:00
No. 4, Our Time
Track length3:08
No. 1, Prelude
Track length1:59
No. 2, Hallowed Place
Track length3:02
No. 3, Prospect
Track length1:19
No. 4, In the Forest
Track length1:27
No. 5, Winter Night
Track length3:37
No. 6, The Spring
Track length1:46
No. 7, Sing Out!
Track length2:33

Awards and reviews

March 2021

The pianist’s role is crucial. Medtner was a fine performer, and the piano is so often in the driving seat as words blossom into song. Alexander Karpeyev provides the ideal grounding for Fomina’s famously silvery tone (which can assume a hard-edged glint as required)...Her colouristic range can be a little circumscribed, but this is a rewarding addition to a still unaccountably underpopulated discography.

March 2021

It’s not a flutey soprano, but she displays some interesting colours lower down and has a sensitive way with text...when she lets rip in something like ‘Night Song’ (Op 45 No 3), it’s a glorious sound.

Opera Now March 2021

the programme is well-judged and simpler songs contribute oases of calm. Fomina, renowned as a coloratura who tackles roles like Zerbinetta and Gilda, reveals a soprano which is plush throughout its registers, well-balanced with an easy and bright top. She is very attentive to her words...An unexpected delight.
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