Name: Mahler: Symphony No. 4
Price: 24.75 USD
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I’ve never heard the forest murmurs at the heart of the first movement more hauntingly shadowed, with bold, lurid woodwind splendidly set against them as hobgoblins in the wood. And the amount... — BBC Music Magazine, May 2021, 4 out of 5 stars More…

Release Date: 5th Feb 2021
Catalogue No: ACC30532
Label: Accentus Music
Length: 56 minutes

Gramophone Magazine

April 2021

Editor's Choice
International Classical Music Awards

2022

Nominated - Symphonic Music

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Mahler: Symphony No. 4

Work length56:26

Album only

Anna Lucia Richter (mezzo-soprano)
Bamberger Symphoniker
Jakub Hrůša

I. Bedächtig, nicht eilen

Track length16:40

$4.00

$5.15

$7.00

II. In gemächlicher Bewegung, ohne Hast

Track length9:35

$2.00

$2.60

$3.50

III. Ruhevoll

Track length20:58

Album only

IV. Sehr behaglich

Track length9:13

$2.00

$2.60

$3.50

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"When the Bamberg Symphony and their principal conductor Jakub Hruša went on tour in Germany with Mahler's Fourth Symphony in January 2020, no one would have thought that this symphony in particular would become a kind of ""symphony of fate"" of the year, for only two months later, the performance of major symphonic works was impossible for a long time after the ""corona lockdown"" in Germany, which hit cultural institutions particularly hard. The Bamberg Symphony were involved at an early stage in investigating the effects of making music together on the spread of the virus and helped to develop concepts for safe concert performances. This enabled their renowned Mahler Competition to take place in early July 2020, with Mahler's Fourth Symphony at its center. Even though it is the smallest Mahler symphony, these were the first symphonic performances after months, which then led to one of the first symphonic CD recordings in times of the pandemic - seated apart, but musically closer than ever. Recorded at Konzerthalle Bamberg, Joseph-Keilberth-Saal July 2020 A co-production with BR Klassik"

Reviews

May 2021

I’ve never heard the forest murmurs at the heart of the first movement more hauntingly shadowed, with bold, lurid woodwind splendidly set against them as hobgoblins in the wood. And the amount of vibrato seems just right, especially in the Schubertian lyrical theme of the opening. It’s perfectly paced, like everything else.

April 2021

Taut, refreshing, often inspired, never bland. Such music-making confirms Hrůša as among the very finest Mahler conductors of the younger generation.

Mahler: Symphony No. 4

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