Maurice Ravel: Miroirs & Mauro Montalbetti: Stanze

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Rebaudengo’s playing is superlative. While he may be the only game in town in the Stanze, Rebaudengo yields nothing to the formidable competition he faces in Miroirs, and, at least in my book,... — Fanfare, July/August 2021 More…

Release Date: 6th Nov 2020
Catalogue No: STR37159
Label: Stradivarius
Length: 51 minutes

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Montalbetti, M: Stanze

Work length6:26

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Andrea Rebaudengo (piano)

No. 1, Prendere e ritrovare ogni alba

Track length6:26

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Excerpt, Ravel: Miroirs, M.43

Work length5:02

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Andrea Rebaudengo (piano)

No. 1, Noctuelles

Track length5:02

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Montalbetti, M: Stanze

Work length3:37

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No. 2, Guardare l'erba e il sole

Track length3:37

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Excerpt, Ravel: Miroirs, M.43

Work length4:12

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No. 2, Oiseaux tristes

Track length4:12

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Montalbetti, M: Stanze

Work length4:27

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No. 3, Specchiarsi come restituiti

Track length4:27

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Excerpt, Ravel: Miroirs, M.43

Work length7:03

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No. 3, Une barque sur l'océan

Track length7:03

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Montalbetti, M: Stanze

Work length3:17

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No. 4, Osservare riflessi

Track length3:17

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Excerpt, Ravel: Miroirs, M.43

Work length7:06

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No. 4, Alborada del gracioso

Track length7:06

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Montalbetti, M: Stanze

Work length4:48

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No. 5, Occhi stupiti e silenzio

Track length4:48

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Excerpt, Ravel: Miroirs, M.43

Work length5:57

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No. 5, La vallée des cloches

Track length5:57

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In his five Stanze, composed in 2016, Mauro Montalbetti openly declares his special affinity with the author of Boléro, placing him within the select circle of his greatest loves. What strikes one most is the refined and yet frank way in which this devotion is expressed in the music and is revealed in the writing, in the way it unfolds majestically, so to speak, across the staves and the pages. In other words one is struck not only audibly but also visually by the limpidity with which the five pieces pay homage to their source, namely Maurice Ravel’s Miroirs. Miroirs, that is mirrors. A title that at the time – we are in 1905 – encapsulated the genius with which the composer played with the ambiguities of symbolist and im-pressionist poetics, of the eternal torments concerning the expressive and semantic qualities of music. Because the mirror reflects, represents, but also deceives, creates illusions.

Reviews

July/August 2021

Rebaudengo’s playing is superlative. While he may be the only game in town in the Stanze, Rebaudengo yields nothing to the formidable competition he faces in Miroirs, and, at least in my book, this performance assumes yardstick status alongside the recordings of Sviatoslav Richter, Herbert Schuch, and Beatrice Rana...one of the most compelling and interesting piano recitals I have heard in a long time.

Maurice Ravel: Miroirs & Mauro Montalbetti: Stanze

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