Name: Clara Iannotta: Earthing
Price: 15.5 USD
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As well as demanding that the string players employ every conventional technique, the Italian composer extends their sound world farther, both with electronics and with “found objects” applied... — The Guardian, 15th October 2020, 4 out of 5 stars More…

Release Date: 4th Sep 2020
Catalogue No: WER64332
Label: Wergo
Length: 57 minutes

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Iannotta: Dead Wasps in the Jam-Jar (iii)

Work length12:22

$2.00

$2.80

JACK Quartet

Iannotta: You Crawl over Seas of Granite

Work length16:00

Album only

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Iannotta: A Failed Entertainment

Work length16:24

Album only

JACK Quartet

Iannotta: Earthing – Dead Wasps (Obituary)

Work length12:59

$2.00

$2.80

JACK Quartet

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"On her portrait recording “earthing” the Berlin-based composer Clara Iannotta concentrates on the string quartet genre. Therefore she takes inspiration mostly from the idea of an underwater world and the small animals that let their luminous organs glow in the deep. The resulting music seems to be under the pressure of water masses but happens in an environment of expanded time. At the beginning of her journey into unknown depths Iannotta works with minimalistic and fragile sounds: ‘They sharpen your sense of hearing, just as eyes can only slowly become accustomed to darkness’. Though at times her music can mount up to enormous and complex structures. Iannotta finds further inspiration for her quartets in the works of Irish lyric poet Dorothy Molloy and US-American writer David Foster Wallace or in J.S. Bach’s “Partita no. 1 in B minor”. Furthermore, phenomena of the wildlife have an impact on her compositional concepts as she explains to booklet author Theresa Beyer concerning the piece “Earthing – dead wasps (obituary)”: ‘A spider leaves its carapace behind as an empty shell when it’s growing. And suddenly two bodies are lying there – one empty, one filled – and thus two different temporalities. You might say that I composed a string quartet that sheds its skin several times during the performance.’"

Reviews

15th October 2020

As well as demanding that the string players employ every conventional technique, the Italian composer extends their sound world farther, both with electronics and with “found objects” applied to the strings and bodies of the instruments...[This is] music that relies heavily on the commitment and flexibility of the performers, qualities the Jack Quartet have in abundance. It’s a totally absorbing collection of works.

Clara Iannotta: Earthing

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