Giovanni Battista Bononcini: Polifemo
Ensemble 1700, João Fernandes (bass), Helena Rasker (alto), Bruno de Sá (countertenor), Maria Ladurner (soprano), Roberta Invernizzi (soprano), Roberta Mameli (soprano), Liliya Gaysina (soprano), Dorothee Oberlinger
Awards:
-
Record Review, 19th September 2020, Record of the Week
-
Opus Klassik, 2021, Winner - World Premiere Recording
Bononcini knew his music theatre craft...Oberlinger is well served by a committed ensemble of singers, notably the Dutch contralto Helena Rasker who as Glauco has the kind of chest register...
Giovanni Battista Bononcini: Polifemo
Ensemble 1700, João Fernandes (bass), Helena Rasker (alto), Bruno de Sá (countertenor), Maria Ladurner (soprano), Roberta Invernizzi (soprano), Roberta Mameli (soprano), Liliya Gaysina (soprano), Dorothee Oberlinger
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Awards:
-
Record Review, 19th September 2020, Record of the Week
-
Opus Klassik, 2021, Winner - World Premiere Recording
Bononcini knew his music theatre craft...Oberlinger is well served by a committed ensemble of singers, notably the Dutch contralto Helena Rasker who as Glauco has the kind of chest register...
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Contents and tracklist
- Ensemble 1700, João Fernandes (bass), Helena Rasker (alto), Bruno de Sá (countertenor), Maria Ladurner (soprano), Roberta Invernizzi (soprano), Roberta Mameli (soprano), Liliya Gaysina (soprano)
- Dorothee Oberlinger
Awards and reviews
-
Record Review19th September 2020Record of the Week
-
Opus Klassik2021Winner - World Premiere Recording
December 2020
Bononcini knew his music theatre craft...Oberlinger is well served by a committed ensemble of singers, notably the Dutch contralto Helena Rasker who as Glauco has the kind of chest register that makes the hairs on the back of your neck stand to attention.
November 2020
Dorothee Oberlinger and Ensemble 1700 deftly bring dramatic characters and situations to life in this live recording of a staged production...There are a few momentary blemishes in balance and vocal tuning but there is plenty to admire about Bononcini’s imagination and skill.
February 2021
[Oberlinger] obtains neat, lively playing from her Ensemble 1700, perhaps in the final analysis lacking only a measure of Italianate flair...her cast do the opera proud. The casting of Roberta Invernizzi and Roberta Mameli, long experienced in this repertoire, as the joint heroines Galatea and Silla pays strong dividends, both acquitting themselves admirably…Throughout, the sharply pointed and idiomatic delivery of recitative is an additional pleasure.
