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Russian Colours
Camerata Tchaikovsky, Yuri Zhislin
If you didn’t know the original you would happily assume that [the Glazunov] had been written for viola and strings – and that is a compliment to Zhislin, both as a player and as an arranger...The...
Russian Colours
Camerata Tchaikovsky, Yuri Zhislin
Purchase product
If you didn’t know the original you would happily assume that [the Glazunov] had been written for viola and strings – and that is a compliment to Zhislin, both as a player and as an arranger...The...
About
Following the huge success of their debut album on Orchid Classics, Yuri Zhislin and Camerata Tchaikovsky return with a sumptuous programme of Russian delights. This release boasts richly Romantic works by composers from the different musical schools of thought blossoming in 19th-century and early 20th-century Russia. Borodin was one of the nationalist Russian Five, and the Nocturne from his String Quartet No. 2 is one of his most stunning creations. Tchaikovsky was more influenced by German music, but also drew upon folk styles closer to home, as in his moving Andante cantabile from his String Quartet No. 1. Both Rachmaninov and Arensky were deeply influenced by Tchaikovsky. Rachmaninovs famous Vocalise is a beautiful song without words, and Arensky's Variations on a Theme by Tchaikovsky are a graceful tribute to his hero. All but the Arensky piece have been specially arranged by Yuri Zhislin for this recording. Camerata Tchaikovskys debut on Orchid met with considerable acclaim: Their richly confident playing is startlingly good: taut, precise and immaculately phrased The Guardian.
Contents and tracklist
Awards and reviews
October 2020
If you didn’t know the original you would happily assume that [the Glazunov] had been written for viola and strings – and that is a compliment to Zhislin, both as a player and as an arranger...The three perennial (and exquisite) favourites that complete the collection enjoy beautifully nuanced performances.
September 2020
In Zhislin’s hands it’s quite a discovery: more supple and soulful than the original ... [Camerata Tchaikovsky] play with the collective individualism of a quartet.
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