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Almeida Prado: Piano Concerto No. 1, Aurora & Concerto Fribourgeois

Sonia Rubinsky (piano), Minas Gerais Philharmonic Orchestra, Fabio Mechetti

Almeida Prado: Piano Concerto No. 1, Aurora & Concerto Fribourgeois
The performances by Sonia Rubinsky sound like they are totally committed to the music. The range of her expressive control is remarkable. She has all of the requisite strength to deal with the...

Almeida Prado: Piano Concerto No. 1, Aurora & Concerto Fribourgeois

Sonia Rubinsky (piano), Minas Gerais Philharmonic Orchestra, Fabio Mechetti

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This release includes a digital booklet

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The performances by Sonia Rubinsky sound like they are totally committed to the music. The range of her expressive control is remarkable. She has all of the requisite strength to deal with the...

About

At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous.

Contents and tracklist

Apelo I
Track length2:03
I. Heróico, épico
Track length5:40
Monólogo
Track length2:07
Interlúdio
Track length0:55
II. Transparente floral
Track length4:13
III. Granítico, intenso
Track length5:29
Interlúdio. Onírico, entre a realidade e a fantasia
Track length0:46
Memorial
Track length1:55
Apelo II
Track length2:39
Introduzioni
Track length0:17
Recitativo I
Track length2:03
Passacaglia
Track length7:10
Recitativo II
Track length2:09
Toccata furiosa
Track length4:18
Recitativo III
Track length2:30
Arioso
Track length5:35
Moto perpetuo
Track length3:09

Spotlight on this release

Awards and reviews

Nov/Dec 2020

The performances by Sonia Rubinsky sound like they are totally committed to the music. The range of her expressive control is remarkable. She has all of the requisite strength to deal with the many percussive moments in the music. The Minas Gerais Philharmonic Orchestra, under the expert direction of Fabio Mechetti, provides a well-considered and exemplary accompaniment. The recorded sound is very good.
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