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Special offer. Marais: Works for Viola da gamba & Harpsichord

Melisande Corriveau (viola da gamba), Eric Milnes (harpsichord)

the sound that gambist Mélisande Corriveau produces is sonorous, with a good sense of the depth that this instrument can produce. Her tempos are calculated to bring out the various characteristics...

Special offer. Marais: Works for Viola da gamba & Harpsichord

Melisande Corriveau (viola da gamba), Eric Milnes (harpsichord)

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This release includes a digital booklet

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the sound that gambist Mélisande Corriveau produces is sonorous, with a good sense of the depth that this instrument can produce. Her tempos are calculated to bring out the various characteristics...

About

Viola da gambist (Violoncellist)) Melisande Corriveau and harpsichordist Eric Milnes reveal the richness of the bass viol in this new recording entirely devoted to French composer Marin Marais. Although Marin Marais worked for many years for the Academie Royale de Musique in France and composed four operas, his genius is linked above all with the bass viol. With its deep and somewhat husky voice, the bass viol offered a wide palette of colours and nuances. Critically acclaimed for her exceptional musical mastery, Melisande Corriveau is a specialist in the interpretation of early music as a gambist, cellist and recorder virtuoso. Melisande Corriveau belongs to a new generation of players bringing formidable performing skills and knowledge of period practices. (Gramophone) Native New Yorker Eric Milnes has established an international reputation as conductor, harpsichordist and organist through his many performances and as director of many ensembles including Montreal Baroque, The Portland Baroque Orchestra, The New York Collegium, New York Baroque and the Seattle Baroque Orchestra.

Contents and tracklist

No. 8, Prelude
Track length2:44
No. 10, Allemande de la familière
Track length2:30
No. 11, Boutade
Track length1:31
No. 12, Gavotte la favorite
Track length1:45
No. 13, L a petite brillante
Track length1:00
No. 14, Rondeau le gracieux
Track length3:39
No. 87, Le badinage in F-Sharp Minor
Track length5:27
No. 73, Caprice ou sonate
Track length5:51
No. 55a, Le Biscayenne
Track length1:04
No. 82, Chaconne en rondeau
Track length5:04
No. 61, Fête champêtre
Track length5:06
No. 80, L'Arabesque
Track length3:38
No. 1, Prelude
Track length2:47
No. 2, Allemande
Track length2:02
No. 3, La mignone
Track length1:33
No. 4, Caprice
Track length1:47
No. 5, Menuet
Track length0:55
No. 6, Gigue la petite
Track length1:41
No. 7, Rondeau
Track length2:20
No. 63, Les voix humaines
Track length3:41

Awards and reviews

Nov/Dec 2020

the sound that gambist Mélisande Corriveau produces is sonorous, with a good sense of the depth that this instrument can produce. Her tempos are calculated to bring out the various characteristics of the music. Eric Milnes provides a nicely discrete continuo, which supports and not overwhelms. Their ensemble is fluid and complementary, which means that they flow well together in producing these pieces.
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