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Light & Darkness
Martina Filjak (piano)
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
In this powerful collection, which swings between chestnuts and relative rarities, Martina Filjak shows herself to be an enormously talented pianist with strong fingers, a rich bass-centered...
Light & Darkness
Martina Filjak (piano)
Purchase product
Awards:
-
Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
In this powerful collection, which swings between chestnuts and relative rarities, Martina Filjak shows herself to be an enormously talented pianist with strong fingers, a rich bass-centered...
About
Light and Darkness Religious inspiration: Franz Liszt´s religious compositions for piano solo. Interpreted by Martin Filjak. One of the most exciting artists to emerge in recent years, Martina Filjak is garnering international praise for her poetic passion and technical mastery at the keyboard. She came to international attention by winning the Gold Medal, the 1st prize at the Cleveland International Piano Competition in 2009. During the past seasons she has performed with esteemed orchestras that include the Cleveland Orchestra, the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, the Staatskapelle Weimar, the Orchestre Philharmonique de Strasbourg, the Orchestra Sinfonica di Milano Giuseppe Verdi, the Orquesta Sinfónica de Barcelona and the Japan Century Orchestra. Filjak’s most recent conductor collaborations include Michael Schønwandt, Heinrich Schiff, Theodor Guschlbauer, JoAnn Falletta, Alexander Shelley, Markus Poschner, Sebastian Lang-Lessing, Josep Caballé-Domenech, Tito Munoz, Carlos Miguel Preto und Stefan Sanderling. Based in Berlin, Martina Filjak speaks seven languages. Fortunately, for an active performer, she loves to travel.
Contents and tracklist
- Martina Filjak (piano)
- Martina Filjak (piano)
- Martina Filjak (piano)
- Martina Filjak (piano)
- Martina Filjak (piano)
- Martina Filjak (piano)
Awards and reviews
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Opus Klassik Awards2020Nominee - Instrumentalist of the Year
Jul/Aug 2020
In this powerful collection, which swings between chestnuts and relative rarities, Martina Filjak shows herself to be an enormously talented pianist with strong fingers, a rich bass-centered sonority (listen to the left-hand growls in the Ballade), a fine sensitivity to melodic shape, a sure appreciation of harmonic nuance, and a rhythmic flexibility that brings out the music’s high-Romantic ethos.
June 2020
Filjak has an innate empathy for Liszt’s music and the technique and physical strength to convey its drama but not, I fear, the most pleasant of tone production.