These Six Grand Concertos or concerti grossi, plentifully endowed with English seasoning, deserve to be better known…[Pramsohler’s] skilfully poised bow highlights the considerable merits of this unjustly overlooked music. Slow movements are mostly lyrically expressive, while faster ones are generally genial with an abundance of individual gestures.

Their readings bring such poetic vibrancy to the sonatas’ luxurious ornamentation and richness of articulation that it’s unarguable that this music’s value stretches well beyond the historic performance pearls they bestow. Pramsohler on a 1713 Rogeri is a treat, bringing all manner of colours and shadings and delicious curves to the violin’s often highly virtuoso lines, peerless evenness to the double-stopping and beautiful weighting of parts to the contrapuntal writing.