For fluidity, nimble attack, breath control and range of colours she really takes some beating. Teamed with Spanish conductor Jaime Martin, a past flautist himself, she dazzles most brightly in the strongest by far of these 20th-century concertos: Nielsen’s mercurial creation of 1926…There’s always golden gambolling from a flautist of the top rank.

Competition abounds in Nielsen’s Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime Martín, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto.