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Special offer. Beethoven: Piano Sonatas Opp. 106 & 111

Filippo Gorini

Beethoven: Piano Sonatas Opp. 106 & 111
The booklet contains an essay by the pianist, who writes about the “touching humanity of Beethoven’s late sonatas.” Gorini’s words demonstrate how well he knows these two sonatas. His deeply...

Special offer. Beethoven: Piano Sonatas Opp. 106 & 111

Filippo Gorini

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This release includes a digital booklet

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The booklet contains an essay by the pianist, who writes about the “touching humanity of Beethoven’s late sonatas.” Gorini’s words demonstrate how well he knows these two sonatas. His deeply...

About

Filippo Gorini, a student of Alfred Brendel and winner of the first prize and audience prize of the Bonn Beethoven Competition in 2015, pursues a fast-growing career. Here he presents Beethoven and tackles the perilous 'Sonata No. 29', known as the 'Hammerklavier', which the composer himself said would pose a challenge for future generations, along with the 'Sonata No. 32', which according to Thomas Mann represents the supreme accomplishment of and 'farewell' to sonata form.

Contents and tracklist

I. Allegro
Track length10:10
II. Scherzo. Assai vivace
Track length2:54
III. Adagio sostenuto
Track length20:55
This track is only available as an album download.
IV. Introduzione. Largo
Track length12:55
I. Maestoso - Allegro con brio ed appassionato
Track length8:49
II. Arietta. Adagio molto semplice cantabile
Track length17:28
This track is only available as an album download.

Spotlight on this release

Awards and reviews

Jul/Aug 2020

The booklet contains an essay by the pianist, who writes about the “touching humanity of Beethoven’s late sonatas.” Gorini’s words demonstrate how well he knows these two sonatas. His deeply thoughtful, yet often electrifying playing demonstrates that even better, which is at it should be. Strongly recommended.

April 2020

This is a Hammerklavier to cherish, sculpted beautifully with full structural awareness, one that nevertheless bends with the wind. Gorini’s grasp of Beethoven’s contrapuntal workings in the outer movements of this gargantuan sonata are exemplary. Op 111 is no less impressive, dynamic in a first movement marked by sterling finger strength and superb contrapuntal awareness. The Arietta again shows Gorini unafraid to allow space when the music demands.
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