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Special offer. Hummel: Piano Concertos Vol. 2

Alessandro Commellato (fortepiano), Stefano Barneschi (violin), Galante, La, Milano Classica, Didier Talpain

The 1825 Böhm piano here adds character and charm to this duo of Hummel concertos. Despite several lapses in pitch, the vigour of the performances carries it through.

Special offer. Hummel: Piano Concertos Vol. 2

Alessandro Commellato (fortepiano), Stefano Barneschi (violin), Galante, La, Milano Classica, Didier Talpain

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The 1825 Böhm piano here adds character and charm to this duo of Hummel concertos. Despite several lapses in pitch, the vigour of the performances carries it through.

About

• The second installment of the complete Hummel piano concertos recoding on period instruments!

• Hummel (1778–1837) deserves to be far better known today than it is.

While he was one of the most famous and celebrated composers of the Classical period, his popularity declined rapidly after his death, with the onset of Romanticism, and it is only now that musicians have begun to effect a serious revival of his repertoire.

• Hummel’s fame as a concert pianist is evident from the sparkling virtuosity of the works heard on this disc, all for fortepiano and orchestra: the A major Concerto and the Concerto for Violin, Piano and Orchestra Op. 17. Both works were written in his twenties and obviously show the influence of the Classical Viennese style of Mozart’s piano concertos: elegant, melodious and overflowing with brilliant virtuosity.

Contents and tracklist

I. Allegro moderato
Track length14:37
II. Romanza. Adagio
Track length6:07
III. Rondo
Track length8:52
I. Allegro con brio
Track length14:30
II. Theme and Variations. Andante con moto
Track length9:57
III. Rondo
Track length8:22

Awards and reviews

March 2020

The 1825 Böhm piano here adds character and charm to this duo of Hummel concertos. Despite several lapses in pitch, the vigour of the performances carries it through.

July/August 2020

These performances are excellent. Both period instrument ensembles display good tonality and lucid textures, and the soloists play with an invigorating sense of delight. Commellato plays an 1825 Böhm fortepiano.
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