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Beethoven: Grand Symphonies, Vol. 1

arr. Hummel for flute, violin, cello and piano

Uwe Grodd (flute), Gould Piano Trio

While Hummel’s chamber-scale arrangements of Beethoven could never march the original for oomph, they are deftly crafted. Elegant performances like these help their cause.

Beethoven: Grand Symphonies, Vol. 1

arr. Hummel for flute, violin, cello and piano

Uwe Grodd (flute), Gould Piano Trio

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This release includes a digital booklet

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While Hummel’s chamber-scale arrangements of Beethoven could never march the original for oomph, they are deftly crafted. Elegant performances like these help their cause.

About

Beethoven and Hummel's relationship was one of fractious beginnings, but ultimately true friendship. Between 1825 and 1835 Hummel arranged his contemporarys Symphonies Nos. 17 and Septet, Op. 20 for his favoured combination of pianoforte, flute, violin and violoncello. Beethoven would surely not have objected arrangements were, after all, a perfectly normal part of the 19th-century musical landscape. To audiences today his symphonies need little introduction but, thanks to the musical sensitivity and sheer brilliance of Hummels arrangements, it is possible to experience the thrill of hearing these extraordinary pieces afresh.

Contents and tracklist

I. Allegro con brio
Track length17:29
II. Marcia funebre. Adagio assai
Track length13:25
III. Scherzo. Allegro vivace
Track length6:02
IV. Finale. Allegro molto
Track length11:13
I. Adagio molto - Allegro con brio
Track length9:45
II. Andante cantabile con moto
Track length7:36
III. Menuetto. Allegro molto e vivace
Track length3:39
IV. Finale. Adagio - Allegro molto e vivace
Track length5:34

Awards and reviews

March 2020

While Hummel’s chamber-scale arrangements of Beethoven could never march the original for oomph, they are deftly crafted. Elegant performances like these help their cause.

May/June 2020

This ensemble has been playing together for 25 years ... but the polished and spirited performances on this CD would tell you as much. There is not a single moment of dullness or indecision to be heard here. Flutist Uwe Grodd plays brightly, cleanly, and in period style
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