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Special offer. Offenbach: Un mari à la porte

Matteo Mezzaro (tenor), Francesca Benitez (soprano), Marina Ogii (mezzo-soprano), Patrizio La Placa (baritone), Maggio Musicale Fiorentino, Valerio Galli

If it’s not quite Offenbach’s daftest score – no singing dogs, dead parrots or laxative jokes, anyway – it’s still pretty daft.The performances are comparably broad – gestures are flamboyant...

Special offer. Offenbach: Un mari à la porte

Matteo Mezzaro (tenor), Francesca Benitez (soprano), Marina Ogii (mezzo-soprano), Patrizio La Placa (baritone), Maggio Musicale Fiorentino, Valerio Galli

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This release includes a digital booklet

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If it’s not quite Offenbach’s daftest score – no singing dogs, dead parrots or laxative jokes, anyway – it’s still pretty daft.The performances are comparably broad – gestures are flamboyant...

About

Recorded at the Teatro del Maggio Musicale on the occasion of the 200th anniversary of Offenbachs birth, Un mari à la porte ( A Husband at the Door) is a one-act operetta premiered in 1859. This rarely performed work is a most amusing comedy of errors that mocks the quirks and vices of French society of that period. The action takes place in Susannes bedroom, on her wedding night. While alone, the bride realises that theres a man hidden under the bed. Florestan Ducroquet is a young and penniless musician who had broken into the room falling from the chimney, while escaping from the fury of a jealous husband. He manages to escape via the window, seconds after having proposed to Rosita. This carefree play of allusions and misunderstandings is accompanied by the brilliant music of Offenbach with its characteristic use of the polka, mazurka and waltz.

Contents and tracklist

Ouf! Cheminée... affreuse cheminée... (Live)
Track length2:56
Ah! Ah! Ah! Quelle mine piteuse! (Live)
Track length4:08
Veux-tu que je te dise? (Live)
Track length1:24
J'entends ma belle (Live)
Track length3:59
Bonne Rosita! Elle a raison... (Live)
Track length2:52
Juste ciel que vois-je? Un étranger! (Live)
Track length6:52
Oui, mesdames, je suis compositeur (Live)
Track length3:41
Il se moque de toi (Live)
Track length7:43
Comment! Elles sont endormies! (Live)
Track length2:07
Pour votre honneur, oui, je m’immole (Live)
Track length1:54
Mais voyez donc! (Live)
Track length2:36
Ce soir ici, à son mari, messieurs, évitez une chute (Live)
Track length1:49

Spotlight on this release

Awards and reviews

March 2020

If it’s not quite Offenbach’s daftest score – no singing dogs, dead parrots or laxative jokes, anyway – it’s still pretty daft.The performances are comparably broad – gestures are flamboyant and there’s a lot of mugging and slapstick. The musical numbers – conducted with a delightful lightness of touch by Valerio Galli – offer some respite from the silliness...I laughed, and I’m still humming the tunes, and I don’t think Offenbach would have asked for more.
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