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Dvorák & Khachaturian: Violin Concertos

Rachel Barton Pine (violin)

Royal Scottish National Orchestra, Teddy Abrams

Dvorák & Khachaturian: Violin Concertos
I wasn’t expecting Rachel Barton Pine to be such a persuasive advocate for Khachaturian’s much-maligned Violin Concerto. She’s not a flashy player, and – let’s face it – this is one of the flashiest...

Dvorák & Khachaturian: Violin Concertos

Rachel Barton Pine (violin)

Royal Scottish National Orchestra, Teddy Abrams

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This release includes a digital booklet

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I wasn’t expecting Rachel Barton Pine to be such a persuasive advocate for Khachaturian’s much-maligned Violin Concerto. She’s not a flashy player, and – let’s face it – this is one of the flashiest...

About

The latest release by Billboard chart-topping violinist Rachel Barton Pine uniquely pairs the concertos by Anton n Dvorak and Aram Khachaturian, composers who were inspired by the folk music of their respective countries and raised the idiom to high art.

Traditional folk music elevated to high art: that theme binds the unique coupling of Billboard chart-topping violinist Rachel Barton Pine’s latest release of the Violin Concertos by Czech composer Antonin Dvorak and Soviet-Armenian

Aram Khachaturian. The multi-faceted young American Teddy Abrams conducts the Royal Scottish National Orchestra, making for a truly international collaboration.

Contents and tracklist

I. Allegro ma non troppo
Track length11:38
This track is only available as an album download.
II. Adagio ma non troppo
Track length10:54
This track is only available as an album download.
III. Finale: Allegro giocoso ma non troppo
Track length10:31
This track is only available as an album download.
I. Allegro con fermezza
Track length16:07
This track is only available as an album download.
II. Andante sostenuto
Track length13:47
This track is only available as an album download.
III. Allegro vivace
Track length10:14
This track is only available as an album download.

Awards and reviews

January 2020

I wasn’t expecting Rachel Barton Pine to be such a persuasive advocate for Khachaturian’s much-maligned Violin Concerto. She’s not a flashy player, and – let’s face it – this is one of the flashiest of concertos. Instead, her success here comes from purely her musicianship, which is utterly unaffected. There are no virtuoso tricks, no swooping, swooning or mooning; she just plays it honestly.
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