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Beethoven: Piano Concertos 0-5

Mari Kodama (piano)

Deutsches Symphonie-Orchester Berlin, Kent Nagano

...her Emperor has a controlled resplendence. But it is in the fillers that Kodama shines, offering a magical Concerto No 0 (with improvised cadenza in consultation with Martin Galling). Her...

Beethoven: Piano Concertos 0-5

Mari Kodama (piano)

Deutsches Symphonie-Orchester Berlin, Kent Nagano

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...her Emperor has a controlled resplendence. But it is in the fillers that Kodama shines, offering a magical Concerto No 0 (with improvised cadenza in consultation with Martin Galling). Her...

About

Contents and tracklist

I. Allegro moderato
Track length10:37
II. Larghetto
Track length7:36
III. Rondo. Allegretto
Track length7:36
Introduzione col Basso del Tema
Track length2:46
Tema
Track length0:42
Variation 1
Track length0:41
Variation 2
Track length0:55
Variation 3
Track length0:40
Variation 4
Track length0:34
Variation 5
Track length0:44
Variation 6
Track length0:37
Variation 7
Track length0:41
Variation 8
Track length1:02
Variation 9
Track length0:40
Variation 10
Track length0:42
Variation 11
Track length0:46
Variation 12
Track length0:42
Variation 13
Track length0:49
Variation 14
Track length1:07
Variation 15
Track length5:11
Finale. Alla Fuga
Track length5:08
I. Allegro con brio
Track length17:33
II. Largo
Track length11:03
III. Rondo. Allegro
Track length8:57
I. Allegro con brio
Track length14:16
II. Adagio
Track length9:29
III. Rondo. Allegro molto
Track length6:18
I. Allegro con brio
Track length16:30
II. Largo
Track length9:53
III. Rondo. Allegro
Track length9:07
I. Allegro
Track length17:11
II. Largo
Track length4:55
III. Rondo alla polacca
Track length12:28
I. Allegro moderato
Track length19:07
II. Andante con moto
Track length5:18
III. Rondo. Vivace
Track length10:12
I. Allegro
Track length20:43
II. Adagio un poco mosso
Track length7:19
III. Rondo. Allegro
Track length10:33

Awards and reviews

January 2020

...her Emperor has a controlled resplendence. But it is in the fillers that Kodama shines, offering a magical Concerto No 0 (with improvised cadenza in consultation with Martin Galling). Her Eroica Variations are considered and the Triple Concerto joyous. The sound is full dynamic, so pianissimi really are quiet (try the opening of the Triple Concerto). Superb.
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