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CPE Bach: Complete Original Works for Violin & Keyboard

Tamsin Waley-Cohen (violin), James Baillieu (piano)

CPE Bach: Complete Original Works for Violin & Keyboard

Awards:

Sparkling performances of music which spans almost the entirety of Emanuel Bach’s working life…Tamsin Waley-Cohen and James Baillieu embrace this personal idiom with stylistic aplomb and an...

CPE Bach: Complete Original Works for Violin & Keyboard

Tamsin Waley-Cohen (violin), James Baillieu (piano)

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3 CDs

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Sparkling performances of music which spans almost the entirety of Emanuel Bach’s working life…Tamsin Waley-Cohen and James Baillieu embrace this personal idiom with stylistic aplomb and an...

About

Born in Weimar, Carl Philipp Emanuel (1714-88) was the fifth child and second surviving son of JS Bach and his first wife Maria Barbara. By his own account he had no other teacher for composition and keyboard except his father. Nevertheless, the majority of Emanuel’s earliest works owe more to the influence of Telemann and other exponents of the new galant style, while already suggesting his own progressive instinct.

At the age of twenty-four, after seven years studying law, Emanuel decided to devote himself to music. In 1738 he accepted the position of keyboard player at the court of the Prussian crown prince - the future Frederick the Great. After nearly thirty years of royal service he left Berlin and moved to Hamburg, where he occupied the positions of Music Director and Cantor until his death.

Described by the Guardian as a performer of “fearless intensity,” former ECHO Rising Star Tamsin Waley-Cohen has established herself as one of the most insightful and versatile young British violinists.

Described by The Daily Telegraph as “in a class of his own,” James Baillieu has been the prize winner of the Wigmore Hall Song Competition, Das Lied International Song Competition, Kathleen Ferrier and Richard Tauber Competitions. He plays these CPE Bach compositions on a modern piano.

Contents and tracklist

I. Adagio man non tanto
Track length3:18
II. Allegro
Track length2:13
III. Adagio
Track length3:54
IV. Menuets 1 & 2
Track length2:46
I. Adagio ma non troppo
Track length3:06
II. Allegro
Track length2:02
III. Allegro
Track length3:34
I. Allegro di molto
Track length3:07
II. Andante
Track length5:03
III. Allegretto
Track length6:58
I. Allegro
Track length4:11
II. Andante
Track length2:51
III. Tempo di Minuetto
Track length2:51
I. Allegro
Track length10:10
This track is only available as an album download.
II. Larghetto
Track length6:21
III. Allegro
Track length7:31
I. Allegro Moderato
Track length7:30
II. Poco Andante
Track length5:41
III. Allegretto Siciliano
Track length5:33
I. Allegro di molto
Track length6:09
II. Largo
Track length6:35
III. Presto
Track length4:51
I. Allegro moderato
Track length8:00
II. Adagio ma no troppo
Track length7:16
III. Presto
Track length5:32

Awards and reviews

  • Gramophone Magazine
    December 2019
    Editor's Choice

February 2020

Sparkling performances of music which spans almost the entirety of Emanuel Bach’s working life…Tamsin Waley-Cohen and James Baillieu embrace this personal idiom with stylistic aplomb and an unfailing ability to project with tenderness the lyricism of slow movements.

December 2019

What we discover – immediately and sustained for 153 minutes and 12 seconds – is that CPE not only does justice to his father but also is a superb composer in his own right. [Baillieu’s] lines are full of breath, intimate and expansive, shaped with a microscopic sensitivity. Trills glisten over Waley-Cohen, the perfect partner to transform this into bowed song. Waley-Cohen’s achievement of pure legato is wondrous.
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