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Schumann, Brahms & Others: Works for Cello & Orchestra

Zuill Bailey (cello), Philippe Quint (violin), Philharmonia Orchestra, North Carolina Symphony Orchestra, Robin O'Neill, Grant Llewellyn

Schumann, Brahms & Others: Works for Cello & Orchestra
The Brahms Double Concerto proves the most rewarding performance on the disc. This is thanks to Grant Llewellyn’s ample tempos, the glowing response from the North Carolina Symphony Orchestra...

Schumann, Brahms & Others: Works for Cello & Orchestra

Zuill Bailey (cello), Philippe Quint (violin), Philharmonia Orchestra, North Carolina Symphony Orchestra, Robin O'Neill, Grant Llewellyn

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This release includes a digital booklet

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The Brahms Double Concerto proves the most rewarding performance on the disc. This is thanks to Grant Llewellyn’s ample tempos, the glowing response from the North Carolina Symphony Orchestra...

About

Cellist Zuill Bailey's new album is a celebration of the 10th anniversary of the Wimbledon International Music Festival, where he has often appeared. It includes gripping performances of the Schumann Cello Concerto and the Brahms Double Concerto with violinist Philippe Quint. Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has secured his place as one of the most sought after and active cellists today. Zuill Bailey is a renowned recording artist with over twenty titles.

Contents and tracklist

I. Nicht zu schnell
Track length10:42
II. Langsam
Track length4:07
III. Sehr lebhaft
Track length9:45
I. Allegro (Live)
Track length16:58
II. Andante (Live)
Track length7:52
III. Vivace non troppo (Live)
Track length8:30
From Jewish Life, B. 54: No. 1, Prayer (Arr. R. O'Neill for Cello & Orchestra)
Track length4:13

Awards and reviews

December 2019

The Brahms Double Concerto proves the most rewarding performance on the disc. This is thanks to Grant Llewellyn’s ample tempos, the glowing response from the North Carolina Symphony Orchestra winds, the intimate rapport between Bailey and solo violinist Philippe Quint and the evident affection of all concerned for this last and most amiable of Brahms’s concertos.
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