The music of William Wordsworth (1908-88) a great-great-grandson of the poets brother Christopher lies downstream from that of Vaughan Williams and Sibelius; like that of his contemporary Edmund Rubbra, Wordsworths music unfolds spontaneously, as a natural process. This second volume brings two concertos, both major works though long forgotten and strongly contrasted in their approach: the gritty and muscular Piano Concerto is cast in a single, tightly argued span, whereas the lyrical Violin Concerto is expansive and unhurried and deeply touching. They are complemented by the Three Pastoral Sketches, which grow gently from understated autumnal hues to a dignified and moving climax. All three scores show an extraordinary command of orchestral colour.