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Dvořák, Copland, Ives
Solistes Européens Luxembourg, Christoph Konig
The Dvořák is decently done under Christoph König, with some shapely woodwind solos from the Solistes Européens Luxembourg, but falls short of the spaciousness and epic glamour of the best recordings.
Dvořák, Copland, Ives
Solistes Européens Luxembourg, Christoph Konig
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The Dvořák is decently done under Christoph König, with some shapely woodwind solos from the Solistes Européens Luxembourg, but falls short of the spaciousness and epic glamour of the best recordings.
About
America is often associated with bold, celebratory and self-confident music - yet many masterpieces either by American composers or inspired by its land are altogether of more subtle character.
The three works on this album are all quite introspective in character despite some exuberant episodes; and each reflects in their different way upon the land once known as the New World.
In the 19th and 20th Centuries, America represented for those who left the Old World - meaning in most cases Europe - and sailed across the Atlantic the hope of starting a new life unshackled from the past and its
politics. America was for many a land of dreams and it is this reflective and dream-like quality which unites these three otherwise quite different compositions.
Christoph König and SEL have released two critically acclaimed albums on Rubicon, Mehul Symphony No.1 & Beethoven Symphony No.3 ‘Eroica’ and Schubert Symphony No.9 ‘Great’ & Berio ‘Rendering’ after Schubert Symphony No.10.
Dvořák’s evergreen ‘New World’ symphony is programmed on this new album with two quintessentially American works by the maverick Charles Ives and Aaron Copland’s ‘Quiet City’ written in 1939 as incidental music to a play by Irwin Shaw. The play was a failure but Copland returned to the score making this concert version.
Contents and tracklist
Spotlight on this release
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Awards and reviews
October 2019
The Dvořák is decently done under Christoph König, with some shapely woodwind solos from the Solistes Européens Luxembourg, but falls short of the spaciousness and epic glamour of the best recordings.