Haydn and the Harp

Release Date: 28th Jun 2019
Catalogue No: GCD923517
Label: Glossa
Length: 68 minutes

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Anne-Marie Krumpholtz: The favorite air of Robin Adair

3:28

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Chiara Granata

Robin Adair

3:28

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Haydn: The inspired Bard

3:07

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Chiara Granata, Raffaele Pe, Anaïs Chen, Marco Ceccato

The Inspired Bard, Hob.XXXIb:25 (Arr. for Voice & Chamber Ensemble)

3:07

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Haydn: The Ancient Harmony

3:32

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Chiara Granata, Raffaele Pe, Anais Chen, Marco Ceccato

The Ancient Harmony, Hob.XXXIb:37 (Arr. for Voice & Chamber Ensemble) [1]

3:32

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Jean-Baptiste Krumpholz: Andante du celèbre Haydn

8:08

$2.10

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Chiara Granata, Anaïs Chen

Andante du celèbre Haydn (Arr. for Harp & Violin)

8:08

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The Ancient Harmony

2:48

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Anaïs Chen

The Ancient Harmony, Hob.XXXIb:37 (Arr. for Voice & Chamber Ensemble) [2]

2:48

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Louis Charles Ragué: X Symphonie d’Haydn arrangée pour la harpe

16:49

$3.15

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Chiara Granata, Anaïs Chen

X Symphonie d’Haydn (Arr. for Harp & Violin): I. Adagio - Allegro

6:06

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X Symphonie d’Haydn (Arr. for Harp & Violin): II. Adagio con variatione

5:48

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X Symphonie d’Haydn (Arr. for Harp & Violin): III. Vivace

4:55

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Joseph Eloüis: Prelude

0:43

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Chiara Granata

Exupère de La Maniere: Roxolane d’Haydn arrangé par la harpe

5:20

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Chiara Granata

Roxolane d’Haydn (Arr. for Harp)

5:20

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Haydn: Towyn Castle

5:00

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Chiara Granata, Raffaele Pe, Anaïs Chen, Marco Ceccato

Towyn Castle, Hob.XXXIb:26 (Arr. for Voice & Chamber Ensemble)

5:00

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Haydn: The Rising of the Lark

4:26

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Chiara Granata, Raffaele Pe, Anaïs Chen, Marco Ceccato

The Rising of the Lark, Hob.XXXIb:1 (Arr. for Voice & Chamber Ensemble)

4:26

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Haydn: Reged. The Fairy Banquet

3:43

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Chiara Granata, Anais Chen, Marco Ceccato

Reged, Hob.XXXIb:38 (Arr. for Chamber Ensemble)

3:43

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Dussek, S: God preserve the Emperor

2:24

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Chiara Granata

Favorite Airs, Book 4: No. 4, God Preserve the Emperor

2:24

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Haydn: Robin Adair, Hob.XXXIa:202

3:20

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Chiara Granata, Raffaele Pe, Anaïs Chen, Marco Ceccato

Robin Adair, Hob.XXXIa:202 (Arr. for Voice & Chamber Ensemble)

3:20

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Bochsa: Petite Mosaique sur La Creation d’Haydn

5:24

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Chiara Granata

Petite mosaique sur "La creation"

5:24

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For her first solo outing on Glossa, entitled ‘Haydn and the Harp’, Chiara Granata presents a gorgeous demonstration, full of elegance and refinement, of the importance of the harp in the Classical era - and of

Franz Joseph Haydn’s significant contribution to its development.

Granata’s selection demonstrates how composers strove to get the most out of the harp by pushing for experimental technical demands without forcing its sound or calling for unnatural tempi; this was often with Haydn being involved in providing advice to composers and performers alike.

As further witnesses of Haydn’s penchant for the harp Chiara Granata includes in her programme a selection of folk melodies from the British Isles arranged by the composer, then (in Stendhal’s words) “full of glory and year.” Here she is joined by countertenor Raffaele Pe, violinist Anaïs Chen and cellist Marco Ceccato.

Other composers utilized Haydn’s compositions as inspiration for their own, as can be heard in Nicolas-Charles Bochsa’s Petite Mosaique sur La Creation d’Haydn, or even made arrangements of his symphonies, such as was the case with Louis-Charles Ragué.

Chiara Granata (a pupil of treasured Glossa artist Mara Galassi) plays two instruments built at the time of the compositions making up this delightful programme: a Holtzman harpe à crochet and a single-action harp by

Naderman, the latter employed for the solo tour de force that is Boscha’s Petite Mosaique.

New, Haydn and the Harp

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