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Special offer. Mysliveček: Adamo ed Eva

Valerio Contaldo (Adamo), Luciana Mancini (Eva), Roberta Mameli (Angelo di Giustizia), Alice Rossi (Angelo di Misericordia)

Il Gardellino, Peter Van Heyghen

Mysliveček: Adamo ed Eva

Awards:

Mysliveček’s setting is unfailingly attractive, but is overly generous in some extended arias and rarely penetrates the story’s darker side. Peter Van Heyghen directs Il Gardelino with vigour,...

Special offer. Mysliveček: Adamo ed Eva

Valerio Contaldo (Adamo), Luciana Mancini (Eva), Roberta Mameli (Angelo di Giustizia), Alice Rossi (Angelo di Misericordia)

Il Gardellino, Peter Van Heyghen

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2 CDs

Original price $36.25 Reduced price $29.00

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This release includes a digital booklet

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Awards:

Mysliveček’s setting is unfailingly attractive, but is overly generous in some extended arias and rarely penetrates the story’s darker side. Peter Van Heyghen directs Il Gardelino with vigour,...

About

“Full of fire, spirit and life.” is how Mozart described this work of his contemporary, presented here for the first time on this new 2CD set.

Mozart’s positive verdict on Josef Myslivecek (1737-1781) was intended to make the listener aware, for the fact that the extremely critical Salzburg composer expresses himself positively about a colleague is an absolute exception.

His oratorio Adamo & Eva, performed in Florence in 1771, was composed at precisely the time when contact with the Mozart family seemed to have been particularly close.

The work presented by Il Gardellino alongside soloists Valerio Contaldo, Luciana Mancini, Roberta Mameli and Alice Rossiunder and under the direction of Peter van Heyghen, gives a good impression of what Mozart appreciated about Myslivecek’s music: melodic ingenuity as well as transparency and lightness of musical language. Highly Recommended.

Contents and tracklist

Ouverture - Allegro con brio
Track length3:05
Ouverture - Andante
Track length2:23
Ouverture - Presto
Track length1:19
Recitative. Eva non è più questo
Track length2:11
Aria. Sente quest'alma oppressa
Track length7:31
Recitative. Non più, Sposo, non più
Track length1:14
"Non ti chieggo amor"
Track length9:15
Recitativo. Che parli di Serpente?
Track length5:09
Duetto. Ahi formidabil suono!
Track length1:42
Recitative. Fuggiro I Rei
Track length1:11
Aria. Quel affanno e quel dolore
Track length8:12
Recitativo. Della Giustizia eterna
Track length2:14
Aria. Chi sa, se mentre gemono
Track length2:22
Recitativo. Poichè cosi tu speri
Track length1:17
Duetto. Non è cruel rigore
Track length6:29
Recitativo. Qui dove dianzi intesi
Track length2:03
Aria. No, che vano, o ingordo affetto
Track length5:30
Recitativo. Male errasti, infedel
Track length1:31
Aria. Non so se il mio peccato
Track length6:27
Recitativo. Pietà, Signor, pietà
Track length2:49
Aria. Cara speranza del Mondo afflitto
Track length3:48
Recitativo. Ma tu Donna
Track length1:39
Aria. Colla mano onnipossente
Track length8:24
Recitativo. Signor nell' ira tua pietoso
Track length0:57
Aria. Amare lagrime
Track length5:08
Recitativo. Che medito, che penso
Track length2:19
Aria. Se al Ciel miro!
Track length8:40
Recitativo. Si che placato sia
Track length2:56
Duetto. Cara piaggia, almo soggiorno
Track length2:42
Recitativo. Ma di qual nuovo raggio
Track length0:48
Aria. Togliero le sponde al Mare
Track length5:08
Recitativo. Mentre tu questi avvolgi
Track length0:49
Aria. Rendero le sponde al Mare
Track length2:41
Coro: Se la serena fronte
Track length4:16

Awards and reviews

  • Presto Editor's Choice
    June 2019
  • International Classical Music Awards
    2019
    Nominee - Vocal

October 2019

Mysliveček’s setting is unfailingly attractive, but is overly generous in some extended arias and rarely penetrates the story’s darker side. Peter Van Heyghen directs Il Gardelino with vigour, and the solo performances are superb. Valerio Contaldo brings an arresting expressive range to the tortured Adam and he is well matched by Luciana Mancini’s Eve.

October 2019

Period band Il Gardellino are bright and pungent under director Peter Van Heyghen…If Mysliveček lacks the emotional range of his younger friend Mozart, he makes up for it with plenty of colour and easy melodies…An attractive work, if Adamo ed Eva doesn’t quite banish memories of Mysliveček’s more secular pursuits, it adds a welcome new spiritual dimension to man and musician.

June 2019

What a find this is, and what great advocacy it receives from all concerned: the Italian-domiciled Czech composer’s 1771 oratorio focuses on the immediate aftermath of The Fall, exploring Adam and Eve’s psychological anguish and conflict in vivid detail. If the libretto is perhaps overly exegetical in places, the music is unabashedly operatic: tenor Valerio Contaldo is especially impressive in Adam’s often ferociously florid arias.
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