Vengerov plays with commanding authority and haunting eloquence…the Shanghai players storm away with a performance of Rachmaninov’s Symphonic Dances that uncovers a vein of modernism in its textural restlessness, which often lies hidden beneath a gentle haze of reflective tenderness. Instrumental lines emerge from the music’s textures with an openness and directness that startles at times.

Qigang Chen is something of a sound magician…There are plenty of lovely ideas as well as opportunities for display…The Shanghai Symphony are a formidable band and Long Yu directs them with obvious authority. The Rachmaninov is good but isn’t really a contender in a crowded field (more drive, passion and weight are needed in all three dances).

Vengerov’s sparkle is pleasing, especially after that career-threatening arm injury over a decade ago. But the biggest sonic impact here comes from Long Yu’s excellent Shanghai band, bathed in resplendent recorded sound...the musicians’ suavity is also showcased in a glossy trip through Rachmaninov’s Symphonic Dances.