US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details
Philip Glass: Soundtracks Vol. II
Michael Riesman (piano)
In his arrangements, Michael Riesman has managed to keep the character of the original pieces and produce a wonderful, varied disc which is a worthy companion to Volume 1 of this series and...
Philip Glass: Soundtracks Vol. II
Michael Riesman (piano)
Purchase product
In his arrangements, Michael Riesman has managed to keep the character of the original pieces and produce a wonderful, varied disc which is a worthy companion to Volume 1 of this series and...
About
Orange Mountain Music presents the new album PHILIP GLASS SOUNDTRACKS VOL.II by pianist Michael Riesman. Riesman was the producer, conductor, and pianist on most every Philip Glass soundtrack including Glass’s three Oscar-nominated scores to The Hours, Kundun, and Notes on a Scandal, as well as on Glass’ Golden Globe-winning score to The Truman Show. On this new recital, Riesman presents a complement to his 2008 album Glass Soundtracks (Vol. I) in a chronological survey of Glass’ work from arthouse films like Koyaanisqatsi, documentary features The Thin Blue Line and The Fog of War, to selections from never-heard-before major commercial films like Taking Lives (starring Angelina Jolie) and Secret Window (Johnny Depp) to a five movement suite from the cult horror film Candyman featuring violinist Chase Spruill. All pieces were pieces chosen by Riesman who is the music director of the Philip Glass Ensemble, and arranged for piano (or violin and piano) by Riesman for this new disc. The result is a refreshing look at treasures from some of Philip Glass’s best work in the medium of film.
Contents and tracklist
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
- Michael Riesman (piano)
Awards and reviews
August 2019
In his arrangements, Michael Riesman has managed to keep the character of the original pieces and produce a wonderful, varied disc which is a worthy companion to Volume 1 of this series and a fine addition to my collection of Philip Glass’ piano music.