Help
Skip to main content

Leopold Mozart: Missa Solemnis

Bayerische Kammerphilharmonie & Das Vokalprojekt, Alessandro De Marchi

Leopold Mozart: Missa Solemnis

Awards:

Enjoyable sleeve notes by Sylvie Kürsten quote father and son in touching homages to one another. Chorus, soloists and orchestra achieve great expression from De Marchi’s keen direction. Affective...

Leopold Mozart: Missa Solemnis

Bayerische Kammerphilharmonie & Das Vokalprojekt, Alessandro De Marchi

Purchase product

CD

$15.75

1 available: usually despatched in 4 - 5 working days

Download

From$10.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$17.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Enjoyable sleeve notes by Sylvie Kürsten quote father and son in touching homages to one another. Chorus, soloists and orchestra achieve great expression from De Marchi’s keen direction. Affective...

About

“Right after God comes my Papa.” These were young Wolfgang’s words of praise for his father Leopold Mozart. 2019 is the anniversary of Leopold that Aparté celebrate with a gorgeous recording of his Missa Solemnis.

Alessandro de Marchi, who ran the Innsbruck Festival of Early Music right after René Jacobs, conducts the beautiful Bayerische Kammerphilharmonie from Augsburg, where Leopold was born.

By paying homage to the father, the disc puts an end to the eternal inequality of treatment, saving the father from collective oblivion and worldwide overshadowing by the child prodigy. For a long time, the Missa Solemnis haunted Wolfgang’s catalogue but we now know for sure that it’s Leopold’s.

Committed to the Leopold legacy owing to his native city of Augsburg, the Bayerische Kammerphilharmonie - together with the Das Vokalprojekt choir - approach this work afresh.

They find in Alessandro de Marchi an ally and passionate champion of unknown works, who knows how to highlight the Neapolitan subtleties from the strict contrapuntal style of this mass. For those who are desperately rummaging the secondhand market to find the only out of print recording of the Missa from 1982, an invaluable record is now available.

Contents and tracklist

I. Kyrie eleison
Track length4:15
II. Gloria in excelsis Deo
Track length1:17
III. Laudamus te
Track length3:44
IV. Gratias agimus tibi
Track length5:21
V. Quoniam tu solus Sanctus
Track length3:31
VI. Cum Sancto Spiritu
Track length1:48
VII. Credo in unum Deum
Track length1:31
VIII. Et in unum Dominum
Track length3:43
IX. Et incarnatus est
Track length1:37
X. Crucifixus
Track length2:05
XI. Et resurrexit
Track length5:55
XII. Et vitam venturi saeculi
Track length1:10
XIII. Sanctus
Track length1:27
XIV. Benedictus
Track length5:08
XV. Hosanna
Track length0:18
XVI. Agnus Dei
Track length3:43
XVII. Dona nobis pacem
Track length1:38

Spotlight on this release

Awards and reviews

  • International Classical Music Awards
    2019
    Nominee - Choral

October 2019

Enjoyable sleeve notes by Sylvie Kürsten quote father and son in touching homages to one another. Chorus, soloists and orchestra achieve great expression from De Marchi’s keen direction. Affective is Leopold’s adoption of muted trumpets and dampened timpani, as in the Crucifixus from Wolfgang’s Waisenhausmesse. Every delight reveals as much of young Mozart’s early influence as it does of his father’s talent.

August 2019

It’s easy to see how it might be mistaken for a work by Mozart fils: bar a certain melodic ordinariness, it boasts a harmonic richness and variety of Affekt that were characteristic of the string of Masses that Wolfgang wrote for Salzburg…The performance is fine, with attentive singing from the youthful, 24-strong Vokalprojekt. The soloists are adequate, if occasionally taxed by some awkward writing in an unfamiliar work.
View download progress