Leopold Mozart: Missa Solemnis
Bayerische Kammerphilharmonie & Das Vokalprojekt, Alessandro De Marchi
Awards:
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International Classical Music Awards, 2019, Nominee - Choral
Enjoyable sleeve notes by Sylvie Kürsten quote father and son in touching homages to one another. Chorus, soloists and orchestra achieve great expression from De Marchi’s keen direction. Affective...
Leopold Mozart: Missa Solemnis
Bayerische Kammerphilharmonie & Das Vokalprojekt, Alessandro De Marchi
Purchase product
Awards:
-
International Classical Music Awards, 2019, Nominee - Choral
Enjoyable sleeve notes by Sylvie Kürsten quote father and son in touching homages to one another. Chorus, soloists and orchestra achieve great expression from De Marchi’s keen direction. Affective...
About
“Right after God comes my Papa.” These were young Wolfgang’s words of praise for his father Leopold Mozart. 2019 is the anniversary of Leopold that Aparté celebrate with a gorgeous recording of his Missa Solemnis.
Alessandro de Marchi, who ran the Innsbruck Festival of Early Music right after René Jacobs, conducts the beautiful Bayerische Kammerphilharmonie from Augsburg, where Leopold was born.
By paying homage to the father, the disc puts an end to the eternal inequality of treatment, saving the father from collective oblivion and worldwide overshadowing by the child prodigy. For a long time, the Missa Solemnis haunted Wolfgang’s catalogue but we now know for sure that it’s Leopold’s.
Committed to the Leopold legacy owing to his native city of Augsburg, the Bayerische Kammerphilharmonie - together with the Das Vokalprojekt choir - approach this work afresh.
They find in Alessandro de Marchi an ally and passionate champion of unknown works, who knows how to highlight the Neapolitan subtleties from the strict contrapuntal style of this mass. For those who are desperately rummaging the secondhand market to find the only out of print recording of the Missa from 1982, an invaluable record is now available.
Contents and tracklist
- Patrick Grahl (soloist), Sophie Rennert (soloist), Ludwig Mittelhammer (soloist), Arianna Vendittelli (soloist)
- Das Vokalprojekt, Bayerische Kammerphilharmonie
- Alessandro De Marchi
Spotlight on this release
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Awards and reviews
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International Classical Music Awards2019Nominee - Choral
October 2019
Enjoyable sleeve notes by Sylvie Kürsten quote father and son in touching homages to one another. Chorus, soloists and orchestra achieve great expression from De Marchi’s keen direction. Affective is Leopold’s adoption of muted trumpets and dampened timpani, as in the Crucifixus from Wolfgang’s Waisenhausmesse. Every delight reveals as much of young Mozart’s early influence as it does of his father’s talent.
August 2019
It’s easy to see how it might be mistaken for a work by Mozart fils: bar a certain melodic ordinariness, it boasts a harmonic richness and variety of Affekt that were characteristic of the string of Masses that Wolfgang wrote for Salzburg…The performance is fine, with attentive singing from the youthful, 24-strong Vokalprojekt. The soloists are adequate, if occasionally taxed by some awkward writing in an unfamiliar work.