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Total Eclipse: Music for Handel's Tenor

Aaron Sheehan (tenor)

Pacific MusicWorks Orchestra, Stephen Stubbs

The fruitful Early Music Festival collaborations between Sheehan and Stubbs are evident from their spot-on musical shaping and communication of Dryden’s poetry…the orchestra’s shading in two...

Total Eclipse: Music for Handel's Tenor

Aaron Sheehan (tenor)

Pacific MusicWorks Orchestra, Stephen Stubbs

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This release includes a digital booklet

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The fruitful Early Music Festival collaborations between Sheehan and Stubbs are evident from their spot-on musical shaping and communication of Dryden’s poetry…the orchestra’s shading in two...

About

John Beard (c. 1716–1791) was a young tenor who came to George Frideric Handel’s attention when still a teenager. He inspired the great composer to give new focus to the tenor voice within his English oratorios. Beard was Handel’s ideal in his demands for ‘articulate utterance of the words and a just expression of the melody’ – a collaboration that climaxed in Handel’s creation of the first truly great tenor part as the hero in Samson. GRAMMY® Award-winning tenor Aaron Sheehan steps into John Beard’s shoes equipped with a voice of ‘shining quality and deep sensitivity’ (The New York Times).

Contents and tracklist

No. 26, Give the Vengeance Due
Track length1:21
No. 27, The Princes Applaud with a Furious Joy
Track length2:09
No. 28, The Enemy Said I Will Pursue
Track length2:05
No. 8, Sharp Violins Proclaim Their Jealous Pangs
Track length4:24
No. 38, O Filial Piety!
Track length1:20
No. 39, No, Cruel Father, No!
Track length1:24
No. 43, Ah, Dearest Friend
Track length00:35
No. 44, But Sooner Jordan's Stream, I Swear
Track length2:56
I. Vivace
Track length1:47
II. Largo
Track length2:28
III. Allegro
Track length1:52
IV. Minuet
Track length1:25
V. Gavotte
Track length3:09
No. 29, Thy Rebuke Hath Broken His Heart
Track length1:34
No. 30, Behold and See if There Be Any Sorry
Track length1:30
No. 32, But Thou Didst Not Leave His Soul in Hell
Track length2:14
No. 43, Thou Shalt Break Them with a Rod of Iron
Track length2:00
I. Largo
Track length1:05
II. Allegro
Track length2:31
III. Largo e piano
Track length1:59
IV. Andante
Track length3:53
V. Hornpipe
Track length3:05
No. 8, Tormets, Alas! Are Not Confin'd
Track length4:05
No. 12, Total Eclipse!
Track length3:13
No. 22, My Griefs for This
Track length00:58
No. 23, Why Does the God of Israel Sleep?
Track length4:48
No. 38, Your Charms to Ruin Led the Way
Track length3:00
No. 66, Let but That Spirit
Track length00:41
No. 67, Thus When the Sun from's Wat'ry Bed
Track length4:09

Awards and reviews

August 2019

The fruitful Early Music Festival collaborations between Sheehan and Stubbs are evident from their spot-on musical shaping and communication of Dryden’s poetry…the orchestra’s shading in two concerti grossi (Op. 3 No. 2 and Op. 6 No. 7) is fantastic, and overall this is a hugely enjoyable album.
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