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Schubert & Berwald: Chamber Music
Anima Eterna Brugge, Jos van Immerseel
Anima Eterna perform Schubert’s ever-lovable Octet on instruments largely from the early 19th century. And these instruments are wild…There’s a graininess to the strings and a glorious hollowness...
Schubert & Berwald: Chamber Music
Anima Eterna Brugge, Jos van Immerseel
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Anima Eterna perform Schubert’s ever-lovable Octet on instruments largely from the early 19th century. And these instruments are wild…There’s a graininess to the strings and a glorious hollowness...
About
Jos van Immerseel: “While since its foundation in 1987 Anima Eterna Brugge has grown organically into a symphonic orchestra, chamber music once again forms an important part of our repertory today. We will continue our journey through orchestral music, but want to broaden our base by including chamber music as well.”
This recording is Anima’s very first to be completely devoted to instrumental ensemble music. A group of musicians headed by violinist Jakob Lehmann breathes new life into two 19th-century masterpieces. Schubert's is a crown jewel from the repertoire, taking its cue from Beethoven’s celebrated Septet yet at the same time paving the way toward the Grosse Sinfonie. Roughly 20 years after its iconic recording of the complete Schubert symphonies, Anima brings its signature approach to the composer’s chamber music to explore it with the insights and “language skills” developed back then and from thereon. In contrast to Schubert, Franz Berwald has been largely forgotten – undeservedly, as this gifted Swede left behind an oeuvre that is both surprisingly modern and delightfully original. Performed on period instruments, using authoritative sources and contemporary playing techniques, these brilliant pages of large ensemble music are now ready to be rediscovered and enjoyed once again.
Contents and tracklist
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Awards and reviews
June 2019
Anima Eterna perform Schubert’s ever-lovable Octet on instruments largely from the early 19th century. And these instruments are wild…There’s a graininess to the strings and a glorious hollowness to Beltane Ruiz Molina’s double bass. Modern instruments have developed to be better-behaved and to promote blend but these players exult in the timbral differences between them… the steampunk brazenness of this Belgian ensemble is its own advertisement.