Alessandro Scarlatti: Quella pace gradita:The Recorder & Violin Cantatas

Release Date: 26th Apr 2019
Catalogue No: GCD923107
Label: Glossa
Length: 65 minutes

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Scarlatti, A: E perché non seguite o pastorelle

12:32

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La Ritirata
Josetxu Obregón
Giuseppina Bridelli (mezzo-soprano)
Recorded: September / October 2018
Recording Venue: Teatro Bulevar, Torrelodones, Spain

No. 1, Sinfonia

2:21

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No. 2, E perché non seguite o pastorelle

1:13

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No. 3, Fiumicel, tu lento

3:14

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No. 4, Ma di che mi querelo

0:58

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No. 5, È dolce quella piaga

2:12

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No. 6, Su le fiorite sponde

0:58

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No. 7, Lacci, e piaghe

1:36

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Scarlatti, A: Filli tu sai s’io t’amo

5:19

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La Ritirata
Josetxu Obregón
Alicia Amo (soprano)

Scarlatti, A: Filen, mio caro bene

14:47

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La Ritirata
Josetxu Obregón
Filippo Mineccia (counter-tenor)
Recorded: September / October 2018
Recording Venue: Teatro Bulevar, Torrelodones, Spain

No. 1, Sinfonia

2:06

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No. 2, Filen, mio caro bene

1:31

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No. 3, Chiedi pur ai monti

6:44

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No. 4, Ma se prova bastante

1:00

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No. 5, Che ti sembra, son fedele

3:26

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Scarlatti, A: Quella pace gradita

19:37

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La Ritirata
Josetxu Obregón
Alicia Amo (soprano)
Recorded: September / October 2018
Recording Venue: Teatro Bulevar, Torrelodones, Spain

No. 1, Sinfonia

4:32

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No. 2, Quella pace gradita

1:11

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No. 3, Crudel tiranno amore

5:27

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Show 4 remaining tracks for Scarlatti, A: Quella pace gradita

No. 4, O voi selve beate

0:56

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No. 5, Care selve soggiorni di quiete

2:34

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No. 6, Lungi, lungi da me tiranno amore

1:14

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No. 7, Teco o mesta tortorella

3:43

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Scarlatti, A: Tu sei quella che al nome

13:34

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La Ritirata
Josetxu Obregón
Filippo Mineccia (counter-tenor)
Recorded: September / October 2018
Recording Venue: Teatro Bulevar, Torrelodones, Spain

No. 1, Sinfonia

3:10

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No. 2, Tu sei quella, che al nome sembre giusta

1:04

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No. 3, Dal nome tuo credei

3:49

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No. 4, Fedeltade ne pur ottien ricetto

1:32

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No. 5, Il nome non vanta di santa colei

3:59

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In a new recording of music by Alessandro Scarlatti, Josetxu Obregón’s La Ritirata parades its dazzling vocal and instrumental talents in presenting the four cantatas which involve recorders and violins, together with an additional standalone soprano aria, for a further Glossa Neapolitan-flavoured release.

Drawn from his well over 800 secular cantatas, these works combine fully-integrated, imaginative recitatives, expressive and dramatic arias and colourful and exacting instrumental sinfonias and ritornelli into elegant and compact wholes, featuring poetic texts which typically followed the aspirations of the Accademia degli Arcadi literary circle initiated in Rome around the turn of the eighteenth century.

The scene for Scarlatti’s prolific creativity is set by Stefano Russomanno in his booklet essay.

The vocal duties are assigned to three leading interpreters of today, mezzo Giuseppina Bridelli, countertenor Filippo Mineccia and soprano Alicia Amo. Rising here to the instrumental challenges set by Scarlatti are long-standing members of La Ritirata,

Tamar Lalo (recorder) and Hiro Kurosaki (violin), who are joined on their respective instruments by Michael Form and Pablo Prieto. With cellist Obregón, Lalo and Kurosaki had been the leading soloists for La Ritirata’s recent Neapolitan Concertos for Various Instruments release.

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