Clemens von Reusner creates acousmatic worlds in which natural and synthetic objects exist side by side. He uses different programs that make free work possible in the realm of sounds, where samples, synthesis and resynthesis work together, develop accelerate and slow each other down, always with great determination.

Anamorphosis, Definierte Lastbedingung, KRIT and Topos Concrete are genuine eight-channel productions. Attention to compositional sense and sonic transparency is always maintained in the stereo versions, even though the ambiance of the sound movements achieved by the ambisonic procedure only opens up completely in the 5-channel versions of the SACD, and especially in the 8-channel concert version.

HO, Dry Friction and Sphären der Untätigkeit are originally mixed in 2-channel stereo. The SACD multichannel layer therefore also features these mixes in 2-channel stereo.