Brutus: Cantatas For Bass
Sergio Foresti
Stile Galante, Stefano Aresi
Foresti declaims the poetry with marvellous clarity and rhetorical sensibility, and he sings the wide-leaping part with technical finesse…Emotionally aware accompaniments [are] played with expressive...
Brutus: Cantatas For Bass
Sergio Foresti
Stile Galante, Stefano Aresi
Purchase product
Foresti declaims the poetry with marvellous clarity and rhetorical sensibility, and he sings the wide-leaping part with technical finesse…Emotionally aware accompaniments [are] played with expressive...
About
With this album, Stile Galante continues its work in the world of the Italian solo chamber cantata - here Stefano Aresi’s ensemble joins forces with baritone Sergio Foresti in order to bring us a selection of cantatas by Antonio Caldara (1670 - 1736) for bass.
These unusual pieces are preserved in precious manuscripts in Bologna and Vienna and are extremely demanding for the singer, asking for great skills (both vocal and theatrical).
The seven cantatas recorded here offer a welcome, unusual view on Italian vocal chamber music, especially as linked to the Viennese court.
Contents and tracklist
- Sergio Foresti (bass)
- Stile Galante
- Stefano Aresi
- Recorded: April - July 2018
- Recording Venue: Schuilkerk de Hoop, Diemen, Netherlands
- Sergio Foresti (bass)
- Stile Galante
- Stefano Aresi
- Recorded: April - July 2018
- Recording Venue: Schuilkerk de Hoop, Diemen, Netherlands
- Sergio Foresti (bass)
- Stile Galante
- Stefano Aresi
- Recorded: April - July 2018
- Recording Venue: Schuilkerk de Hoop, Diemen, Netherlands
- Sergio Foresti (bass)
- Stile Galante
- Stefano Aresi
- Recorded: April - July 2018
- Recording Venue: Schuilkerk de Hoop, Diemen, Netherlands
- Sergio Foresti (bass)
- Stile Galante
- Stefano Aresi
- Recorded: April - July 2018
- Recording Venue: Schuilkerk de Hoop, Diemen, Netherlands
- Sergio Foresti (bass)
- Stile Galante
- Stefano Aresi
- Recorded: April - July 2018
- Recording Venue: Schuilkerk de Hoop, Diemen, Netherlands
Awards and reviews
January 2019
Foresti declaims the poetry with marvellous clarity and rhetorical sensibility, and he sings the wide-leaping part with technical finesse…Emotionally aware accompaniments [are] played with expressive variety and sensitivity by cellist Agnieszka Oszanca, theorbist Gabriele Palomba and harpsichordist Andre Friggi.