The Paisiello Album: Arias for Castrato
Filippo Mineccia (counter-tenor)
Massimo Mazzeo
Mineccia approaches all this music with a well-placed and rounded countertenor at its best in its middle register, though capable of fine ringing tones in the upper range…Diction is good and...
The Paisiello Album: Arias for Castrato
Filippo Mineccia (counter-tenor)
Massimo Mazzeo
Purchase product
Mineccia approaches all this music with a well-placed and rounded countertenor at its best in its middle register, though capable of fine ringing tones in the upper range…Diction is good and...
About
Contents and tracklist
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Recorded: 10-15 February 2017
- Recording Venue: Centro Cultural de Bélem, Lisbon, Portugal
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Recorded: 10-15 February 2017
- Recording Venue: Centro Cultural de Bélem, Lisbon, Portugal
Paisiello:
Cantata fatta in occasione della transalazione del sangue di S. Gennaro, RobP 3.6
Work length5:02
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Filippo Mineccia (countertenor)
- Divino Sospiro
- Massimo Mazzeo
- Recorded: 10-15 February 2017
- Recording Venue: Centro Cultural de Bélem, Lisbon, Portugal
Awards and reviews
December 2018
Mineccia approaches all this music with a well-placed and rounded countertenor at its best in its middle register, though capable of fine ringing tones in the upper range…Diction is good and Mineccia displays a keen awareness for textural nuance…The CD should certainly be heard by anyone interested in the byways of later 18th-century Italian opera.