Help
Skip to main content

Isang Yun: Sunrise Falling

Matt Haimovitz (cello), Maki Namekawa (piano), Christoph Bielefeld (harp), Yumi Hwang-Williams (violin), Dennis Russell Davies (piano), Bruckner Orchestra Linz

Awards:

Fanfare & Memorial (1979) is a turbulent orchestral piece, enclosing an undeclared harp concerto. Interludium A (1982), for piano, rivals Ravel’s Le Gibet in stressing a single note.

Isang Yun: Sunrise Falling

Matt Haimovitz (cello), Maki Namekawa (piano), Christoph Bielefeld (harp), Yumi Hwang-Williams (violin), Dennis Russell Davies (piano), Bruckner Orchestra Linz

Purchase product

2 SACDs

Hybrid Multi-channel

$30.50

1 in stock: usually despatched within 1 working day

Download

From$15.50

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$23.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$18.50

320 kbps, MP3

$15.50

This release includes a digital booklet

Stream now Hi-Res 96 kHz, 24 bit
Fair Play.
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model

Awards:

Fanfare & Memorial (1979) is a turbulent orchestral piece, enclosing an undeclared harp concerto. Interludium A (1982), for piano, rivals Ravel’s Le Gibet in stressing a single note.

About

Uncompromising in his life as he was in his music, Korean composer Isang Yun (1917–95) held fast to his dream of a united Korea, even as he was unjustly accused of espionage for North Korea and sentenced to imprisonment and death. From a life of unimaginable oppression and torture emerges music of raw emotional power, heard on Iang Yun - Sunrise Falling, a centennial commemoration of Yun’s life and music from the Pentatone Oxingale Series. Maestro Dennis Russell Davies, a longtime collaborator and advocate for Yun, curates the programme and conducts the Bruckner Orchestra Linz. A cellist himself, Yun’s fascinating, highly autobiographical Concerto for Violoncello and Orchestra (1975/76) anchors the album. In a live performance, cellist Matt Haimovitz tackles the controlled chaos of Yun’s score, bursting with passion, despair, and new timbral textures, such as the use of a plectrum to emulate the Korean zither, the kŏmun’go. Yun’s Concerto for Violin and Orchestra no.1 (1981) features violinist Yumi Hwang-Williams, who reflects upon her own emotional return to Korea in 2015, where she performed the work at a festival in honour of Yun. The double album also includes the orchestral Fanfare and Memorial, and additional illuminating solo works by Yun performed by pianist Maki Namekawa, Hwang-Williams, and Haimovitz. 100 years after Isang Yun’s birth, the two Koreas still teeter on a razor’s edge, with ever more global ramifications. His music opens the gate to a lost, united land, with Yun’s own heart bleeding but ever hopeful.

Contents and tracklist

I.
Track length9:45
Cadenzas
Track length8:07
II.
Track length8:08
III.
Track length4:36
No. 1,
Track length3:56
No. 2,
Track length4:07
No. 3,
Track length3:30
No. 4,
Track length4:38
I. — (Live)
Track length13:59
II. — (Live)
Track length12:36
III. — (Live)
Track length13:44
No. 1, — (Live)
Track length10:17
No. 2, — (Live)
Track length7:43

Spotlight on this release

Awards and reviews

  • The Times Records of the Year
    2018

11th November 2018

Fanfare & Memorial (1979) is a turbulent orchestral piece, enclosing an undeclared harp concerto. Interludium A (1982), for piano, rivals Ravel’s Le Gibet in stressing a single note.
View download progress