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Tchaikovsky: Swan Lake, Op. 20

State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, Vladimir Jurowski

Tchaikovsky: Swan Lake, Op. 20

Awards:

Jurowski lacks nothing in terms of passionate commitment – the impact of his recording, especially when the SACD surround-track is activated, is all-engulfing – and conjures up a compelling...

Tchaikovsky: Swan Lake, Op. 20

State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, Vladimir Jurowski

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96 kHz, 24 bit, FLAC/ALAC/WAV

$23.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

$15.50

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Jurowski lacks nothing in terms of passionate commitment – the impact of his recording, especially when the SACD surround-track is activated, is all-engulfing – and conjures up a compelling...

About

Swan Lake is the first of the three great ballets that Tchaikovsky wrote, and arguably the most famous. The piece is mainly known in the shape it obtained in 1895, when it became a classic in the choreography of Marius Petipa and Lev Ivanov. That “imperial” version strayed from Tchaikovsky’s world premiere score, with several cuts, abridgments and displacements. This high definition recording presents the work as it was heard during the 1877 world premiere performance, highlighting the extraordinary symphonic qualities of Tchaikovksy’s original conception.

Swan Lake is performed by the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov” led by its Artistic Director Vladimir Jurowski. Jurowski has recorded extensively for PENTATONE and has received enthusiastic critical acclaim. In July 2017, he signed a long-term, multialbum agreement with PENTATONE including a new complete cycle of the symphonies of Sergei Prokofiev with the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”. Other releases by Jurowski for PENTATONE include violin concertos by Britten and Hindemith with Arabella Steinbacher, and tone poems by Mahler and Strauss, performed with the Rundfunk-Sinfonieorchester Berlin where he is Chief Conductor and Artistic Director.

Contents and tracklist

(1877 Version): Introduction
Track length2:42
Act I (1877 Version): No. 1, Scène. Allegro giusto
Track length3:06
Act I (1877 Version): No. 2, Valse
Track length7:27
Act I (1877 Version): No. 3, Scène. Allegro moderato
Track length4:00
Act I (1877 Version): No. 4a, Pas de trois. I. Intrada. Allegro
Track length2:19
Act I (1877 Version): No. 4b, Pas de trois. II. Andante sostenuto
Track length2:54
Act I (1877 Version): No. 4c, Pas de trois. III. Allegro semplice
Track length1:16
Act I (1877 Version): No. 4d, Pas de trois. IV. Moderato
Track length1:28
Act I (1877 Version): No. 4e, Pas de trois. V. Allegro
Track length1:07
Act I (1877 Version): No. 4f, Pas de trois. VI. Coda. Allegro vivace
Track length1:47
Act I (1877 Version): No. 5a, Pas de deux. I. Tempo di valse ma non troppo vivo, quasi moderato
Track length2:35
Act I (1877 Version): No. 5b, Pas de deux. II. Andante
Track length5:10
Act I (1877 Version): No. 5c, Pas de deux. III. Tempo di valse
Track length1:38
Act I (1877 Version): No. 5d, Pas de deux. IV. Coda. Allegro molto vivace
Track length1:53
Act I (1877 Version): No. 6, Pas d'action. Andatino quasi moderato
Track length2:12
Act I (1877 Version): No. 7, Sujet
Track length0:40
Act I (1877 Version): No. 8, Danse des coupes. Tempo di polacca
Track length6:18
Act I (1877 Version): No. 9, Finale. Andante
Track length2:36
Act II (1877 Version): No. 10, Scène. Moderato
Track length2:43
Act II (1877 Version): No. 11, Scène. Allegro moderato
Track length5:37
Act II (1877 Version): No. 12, Scène. Allegro
Track length4:05
Act II (1877 Version): No. 13a, Danses des cygnes. I. Tempo di valse
Track length2:38
Act II (1877 Version): No. 13b, Danses des cygnes. II. Moderato assai
Track length2:02
Act II (1877 Version): No. 13c, Danses des cygnes. III. Tempo di valse
Track length2:03
Act II (1877 Version): No. 13d, Danses des cygnes. IV. Allegro moderato
Track length1:23
Act II (1877 Version): No. 13e, Danses des cygnes. V. Pas d'action. Andante
Track length7:15
Act II (1877 Version): No. 13f, Danses des cygnes. VI. Tempo di valse
Track length1:46
Act II (1877 Version): No. 13g, Danses des cygnes. VII. Coda. Allegro vivo
Track length1:42
Act II (1877 Version): No. 14, Scène. Moderato
Track length2:49
Act III (1877 Version): No. 15, Allegro giusto
Track length2:33
Act III (1877 Version): No. 16, Danses du corps de ballet et des nains
Track length2:36
Act III (1877 Version): No. 17, Scène. La sortie des invités et la valse
Track length7:47
Act III (1877 Version): No. 18, Scène. Allegro
Track length1:46
Act III (1877 Version): No. 19a, Pas de six. Intrada. Moderato assai
Track length3:09
Act III (1877 Version): No. 19b, Pas de six. Var. 1, Allegro
Track length1:31
Act III (1877 Version): No. 19c, Pas de six. Var. 2, Andante con moto
Track length3:27
Act III (1877 Version): No. 19d, Pas de six. Var. 3, Moderato
Track length1:10
Act III (1877 Version): No. 19e, Pas de six. Var. 4, Allegro
Track length0:54
Act III (1877 Version): No. 19f, Pas de six. Var. 5, Moderato
Track length1:29
Act III (1877 Version): No. 19g, Pas de six. Coda. Allegro molto
Track length1:47
Act III (1877 Version): No. 20a, Danse hongroise
Track length2:53
Act III (1877 Version): No. 20b, Danse russe pour Mlle. Pelageya Karpakova
Track length4:42
Act III (1877 Version): No. 21, Danse espagnole
Track length2:43
Act III (1877 Version): No. 22, Danse napolitaine
Track length2:00
Act III (1877 Version): No. 23, Mazurka
Track length4:03
Act III (1877 Version): No. 24, Scène. Allegro
Track length3:49
Act IV (1877 Version): No. 25, Entr'acte. Moderato
Track length2:10
Act IV (1877 Version): No. 26, Scène. Allegro non troppo
Track length2:22
Act IV (1877 Version): No. 27, Danses des petits cygnes
Track length4:04
Act IV (1877 Version): No. 28, Scène. Allegro agitato
Track length3:13
Act IV (1877 Version): No. 29, Finale. Andante
Track length5:54

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    November 2018
    Editor's Choice
  • Record Review
    1st December 2018
    Disc of the Week

January 2019

Jurowski lacks nothing in terms of passionate commitment – the impact of his recording, especially when the SACD surround-track is activated, is all-engulfing – and conjures up a compelling emotional narrative.

November 2018

This is a terrific new account. Jurowski’s ‘Svetlanov’ Orchestra – basically the old USSR State Symphony – really has this music coursing through its veins. The orchestra still has a distinctly Russian flavour, even if the paint-stripper brass and acidic oboe of yore have been polished up…Make no mistake: Jurowski’s Swan Lake is up there with the very best.

10th February 2019

Jurowski emphasises the dark, tragic qualities of the score, but never at the expense of its exhilarating momentum and orchestral audacity.

Classical Music February 2019

Jurowski’s finely-tuned ear and his sense of detail coupled with an urgency to his music-making comes through in spades here. Each movement holds its own character, but there is also a palpable feeling that Jurowski is working on the large-scale, too. Two super-long SACDs, superbly recorded with radiant playing make this a must.
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