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Special offer. Sterndale Bennett: Sextet

Villiers Quartet

Sterndale Bennett: Sextet
The Villiers Quartet are a touch low on energy at the works’ opening, and intonation is not always secure; however, Jeremy Young brings sparkle and a real sense of narrative to the virtuosic...

Special offer. Sterndale Bennett: Sextet

Villiers Quartet

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This release includes a digital booklet

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The Villiers Quartet are a touch low on energy at the works’ opening, and intonation is not always secure; however, Jeremy Young brings sparkle and a real sense of narrative to the virtuosic...

About

Known for his sequence of Piano Concertos, Sterndale Bennett also wrote a small but distiguished body of chamber music. The String Quartet in G major is one of his earliest surviving works, revealing a precocious talent still strongly influenced by Haydn. Mendelssohn is the model for the Sextet, though Bennett's highly virtuousic piano writing, with its concertante interplay, reinforces the work's lyrical qualities and required dexterity as well as its advanced harmonies and hymnal beauty. The concise Chamber Trio radiates sheer charm while displaying an even greater grasp of structure and is the first English example in the trio form where both string instruments are given parts independent of the piano. The Villiers Quartet are British chamber music specialists with recent recordings by Elgar and Delius, and Fricker - 'Compelling, challenging and deeply satisfying British Music' The Strad

Contents and tracklist

I. Allegro moderato ma con passione
Track length13:05
II. Scherzo. Quasi presto
Track length7:58
III. Andante grazioso
Track length7:17
IV. Finale. Allegro assai ed energico
Track length10:29
I. Andante tranquillo ma con moto
Track length8:04
II. Serenade. Andante ma un poco scherzando
Track length4:06
III. Finale. Allegro fermato
Track length7:22
I. Allegro moderato
Track length6:50
II. Adagio
Track length4:49
III. Menuetto. Allegro
Track length2:45
IV. Finale. Allegro
Track length4:35

Awards and reviews

January 2019

The Villiers Quartet are a touch low on energy at the works’ opening, and intonation is not always secure; however, Jeremy Young brings sparkle and a real sense of narrative to the virtuosic piano part. The finale happily draws a compelling performance from the whole ensemble who provide all the drama and exuberance that Bennett’s score demands.

January 2019

Music by a near-forgotten Yorkshire-born composer gets its rightful dues.
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