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Special offer. Sterndale Bennett: Sextet
Villiers Quartet
The Villiers Quartet are a touch low on energy at the works’ opening, and intonation is not always secure; however, Jeremy Young brings sparkle and a real sense of narrative to the virtuosic...
Special offer. Sterndale Bennett: Sextet
Villiers Quartet
Purchase product
The Villiers Quartet are a touch low on energy at the works’ opening, and intonation is not always secure; however, Jeremy Young brings sparkle and a real sense of narrative to the virtuosic...
About
Known for his sequence of Piano Concertos, Sterndale Bennett also wrote a small but distiguished body of chamber music. The String Quartet in G major is one of his earliest surviving works, revealing a precocious talent still strongly influenced by Haydn. Mendelssohn is the model for the Sextet, though Bennett's highly virtuousic piano writing, with its concertante interplay, reinforces the work's lyrical qualities and required dexterity as well as its advanced harmonies and hymnal beauty. The concise Chamber Trio radiates sheer charm while displaying an even greater grasp of structure and is the first English example in the trio form where both string instruments are given parts independent of the piano. The Villiers Quartet are British chamber music specialists with recent recordings by Elgar and Delius, and Fricker - 'Compelling, challenging and deeply satisfying British Music' The Strad
Contents and tracklist
- Leon Bosch (double bass), Jeremy Young (piano)
- Villiers Quartet
- Recorded: 3-5 January 2018
- Recording Venue: Royal Northern College of Music, Manchester, UK
- James Dickenson (violin), Nick Stringfellow (cello), Jeremy Young (piano)
- Recorded: 3-5 January 2018
- Recording Venue: Royal Northern College of Music, Manchester, UK
- Villiers Quartet
- Recorded: 3-5 January 2018
- Recording Venue: Royal Northern College of Music, Manchester, UK
Awards and reviews
January 2019
The Villiers Quartet are a touch low on energy at the works’ opening, and intonation is not always secure; however, Jeremy Young brings sparkle and a real sense of narrative to the virtuosic piano part. The finale happily draws a compelling performance from the whole ensemble who provide all the drama and exuberance that Bennett’s score demands.
January 2019
Music by a near-forgotten Yorkshire-born composer gets its rightful dues.