Brahms: Cello Sonatas

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Release Date: 12th Oct 2018
Catalogue No: 0301097BC
Label: Berlin Classics
Length: 64 minutes

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Brahms: Cello Sonata No. 1 In E Minor, Op. 38

Work length25:50

$5.00

$6.45

$8.75

Claudio Bohórquez (cello), Peter Nagy (piano)
Recorded: 20-22 March 2017
Recording Venue: Reitstadel Neumarkt in der Oberpfalz, Bavaria, Germany

I. Allegro non troppo

Track length13:44

$3.00

$3.85

$5.25

II. Allegretto quasi menuetto

Track length5:21

$1.00

$1.30

$1.75

III. Allegro

Track length6:45

$1.00

$1.30

$1.75

Brahms: Cello Sonata No. 2 in F major, Op. 99

Work length28:09

$7.00

$9.10

$12.25

Claudio Bohórquez (cello), Peter Nagy (piano)
Recorded: 20-22 March 2017
Recording Venue: Reitstadel Neumarkt in der Oberpfalz, Bavaria, Germany

I. Allegro vivace

Track length9:23

$2.00

$2.60

$3.50

II. Adagio affettuoso

Track length7:07

$2.00

$2.60

$3.50

III. Allegro passionato

Track length7:00

$2.00

$2.60

$3.50

IV. Allegro molto

Track length4:39

$1.00

$1.30

$1.75

Excerpt, Brahms: Hungarian Dances, WoO 1 Nos. 1-21

Work length8:26

$3.00

$3.90

$5.25

Claudio Bohórquez (cello), Peter Nagy (piano)
Recorded: 20-22 March 2017
Recording Venue: Reitstadel Neumarkt in der Oberpfalz, Bavaria, Germany

No. 5 in F-Sharp Minor

Track length2:22

$1.00

$1.30

$1.75

No. 1 in G Minor

Track length3:31

$1.00

$1.30

$1.75

No. 7 in A Major

Track length2:33

$1.00

$1.30

$1.75

Excerpt, Brahms: Lieder (5), Op. 105

Work length2:27

$1.00

$1.30

$1.75

Claudio Bohórquez (cello), Peter Nagy (piano)

No. 1. Wie Melodien zieht es mir (arr. for cello and piano)

Track length2:27

$1.00

$1.30

$1.75

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About

Claudio Bohórquez has established himself as an experienced chamber musician and concert soloist. For the past 30 years and more he has been playing the cello, teaching at the famous Hanns Eisler conservatoire in Berlin and travelling the world from the USA to Japan and from Argentina to Russia.

Now the moment has come for him to attend to his discography. “The time is right,” as he says. He learnt early on, from colleagues he trusted and admired, how important it was to take one’s time. No snap decisions – musical ideas needed to mature, interpretations had to be based on personal experience, and self-awareness was essential. He begins where he first started out. The Sonatas for piano and cello opp. 38 & 99 by Johannes Brahms loom large in the life of each and every cellist. Like others before and since, he tackled these works at an early age. In the Hungarian pianist Péter Nagy, he has found the perfect musical partner.

Brahms was especially fond of the cello: we know that from the countless themes, leading lines and heartfelt melodies that the composer entrusted to the instrument. In his youth, he had “played the fiddle a bit, but my instrument was the cello,” as Brahms told the Viennese music critic Herberger. The Hungarian Dances, serving as a foil – almost as an encore – to the two sonatas, were written at a time when Hungarian refugees were settling in Brahms’s native city of Hamburg. The demand from the aspiring middle classes for sophisticated but playable music, suitable for domestic performance, was one of the secrets of success for the Hungarian Dances. The arrangement by Alfredo Piatti is the currently preferred version for piano and cello. The musical starting signal has rung out. Claudio Bohórquez is not stopping at Brahms, he has much more to give us. It sounds good!

Brahms: Cello Sonatas

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