Special offer. Beethoven: Violin Sonatas: Nos 1, 10 & 5
Lorenzo Gatto (violin) & Julien Libeer (piano)
Whether or not these two artists intended an approach that would place Libeer’s piano on equal terms with Gatto’s unglossy chamber-scale violin sound I don’t know; but the instrument allows...
Special offer. Beethoven: Violin Sonatas: Nos 1, 10 & 5
Lorenzo Gatto (violin) & Julien Libeer (piano)
Purchase product
Whether or not these two artists intended an approach that would place Libeer’s piano on equal terms with Gatto’s unglossy chamber-scale violin sound I don’t know; but the instrument allows...
About
‘Building on the success of their first disc of Beethoven violin sonatas (ALPHA240), which won a Diapason d’Or of the year (the magazine hailed ‘the birth of a great duo’) and ‘Choc’ de Classica, Lorenzo Gatto and Julien Libeer continue their complete recording of the cycle. ‘Beethoven’s sonatas have become the core of our musical lives. Rehearsed, tried out in concert, given a rest, rehearsed again.’ Since performing the entire cycle over three consecutive evenings at Flagey in Brussels in 2016, they have played them repeatedly, and they met again at the end of 2017, at the Hilversum studio in Amsterdam, to record three more sonatas: ‘Surprise, even now? . . . Anyone who frequents Beethoven for a long time is no longer surprised to be surprised. For him, everything is coherent, but nothing is written in advance.’ So they experiment here again and Julien has chosen a piano with parallel stringing: ‘The resonance of Chris Maene Straight Strung illuminates this music in a subtly different way. We enjoy ourselves.’ (Lorenzo Gatto, Julien Libeer)
Contents and tracklist
- Julien Libeer, Lorenzo Gatto
- Julien Libeer, Lorenzo Gatto
- Julien Libeer, Lorenzo Gatto
Spotlight on this release
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Awards and reviews
November 2018
Whether or not these two artists intended an approach that would place Libeer’s piano on equal terms with Gatto’s unglossy chamber-scale violin sound I don’t know; but the instrument allows Libeer to be expansive, brisk and brilliant as required, without ever threatening to overwhelm his partner…This is deeply unshowy Beethoven but it’s intensely sincere and it sounds entirely new.
