Marianne E. Andersen Sings Morten Gaathaug

Release Date: 27th Jul 2018
Catalogue No: LWC1152
Label: LAWO
Length: 78 minutes

Usually despatched in 3 - 4 working days

No digital booklet included

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Gaathaug: Landskap i måneskinn, Op. 97

Work length26:58

$7.00

$9.80

$12.25

Marianne E. Andersen

I. St. Hans-kveld

Track length4:24

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$1.75

II. Nattedugg og tåke

Track length4:04

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III. Angelicas bønn I

Track length2:52

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IV. Angelicas bønn II

Track length4:23

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V. Akeren

Track length3:25

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VI. Min elskedes skygge

Track length3:15

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VII. Avskjed i storm

Track length4:35

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Gaathaug: De profundis for kammerensemble, Op. 20b

Work length10:08

$1.50

$2.10

$2.60

Marianne E. Andersen

Gaathaug: Ridder Dalebu

Work length6:11

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Marianne E. Andersen

Gaathaug: En Obstfelder-syklus, Op. 104

Work length13:29

$5.00

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$8.75

Marianne E. Andersen

I. Kan speilet tale

Track length2:04

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$1.75

II. Jeg ser

Track length3:22

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III. Salme

Track length2:17

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IV. Sommer

Track length2:44

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V. Han sår

Track length3:02

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Gaathaug: Elegiske fragmenter, op. 42

Work length21:55

Album only

Marianne E. Andersen

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Norwegian composer Morten Gaathaug has largely worked in a landscape influenced by the classical music tradition. He has not regarded his task as that of inventing his own musical language, but prefers rather to find inspiration in experiments with form and in using the old language in new ways. Important sources of inspiration are traditional folk music (from Norway and abroad), as well as impressions from nature, birdsong in particular. The latter can be found in works such as “Fugler i min natt” (“Birds in My Night”), “24 fugleportretter” (“24 Bird Portraits”) for piano, and “Ornis musicalis”.

Gaathaug has devoted special attention to particular turn-of-the-century artistic currents around 1900 associated with composers Sergei Prokofiev (1891–1953) and Borghild Holmsen (1865–1938), as well as with poets such as Ragnhild Jølsen (1875–1908), Rainer Maria Rilke (1875–1926) and Sigbjørn Obstfelder (1866–1900). This was a period of upheaval, in which modernism pushed forward with many new forms of artistic expression. Yet at the same time, it was important to maintain a connection to the past, renewing the traditional tonal foundation.

On this recording Norwegian mezzo-soprano Marianne E. Andersen gives a performance of Gaathaugs works with lyrics by Jølsen, Rilke and Obstfelder.

Marianne E. Andersen Sings Morten Gaathaug

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